A Quote by Diane Guerrero

I've experienced colorism in that way: where if you're lighter, then you'll potentially be accepted into society better than if you were darker-skinned. — © Diane Guerrero
I've experienced colorism in that way: where if you're lighter, then you'll potentially be accepted into society better than if you were darker-skinned.
Light-skinned black people are seen to be closer to white people. The allegiance to lighter-skinned people has operated in a very destructive way that we have internalized ourselves inside black communities. You look at many of the prominent black people in this society who have been able to do well. Many have been lighter-skinned.
Wear a foundation one shade lighter than your skin tone - you can always make it darker, but not lighter, once it's on.
My hope as an actress is knowing that I'm someone who is more privileged - I'm biracial and lighter-skinned - and I hope it can open up the door for more women of color, especially darker-skinned black women. I hope everyone hops on the bandwagon and decides to start putting women of color in movies that aren't just about race.
In my country - even though we have a lot of dark-skinned people - people think the lighter you are, the better you are. They think beauty has to do with being light-skinned. I think that's really wrong.
Characters, like people, don't need to be right - only understood and, perhaps, accepted. We are all grey, lighter and darker, depending on our state of security.
When I was young, I went to a church where the lighter-skinned you were, the closer you sat to the altar.
Basically, when I went to school in Sri Lanka from age five onward, the classes there were sometimes sorted into a hierarchy of your skin tone. So the fairer-skinned kids sat at the front row, and the darker-skinned kids sat at the back by the poor ones who played out in the street all day long.
Me and my sisters were taught that if our eyes worked and our legs worked, we were beautiful. We had so many kids in our family that if we all got in front of the mirror and were ashamed of browns and golds and yellows and whites, and we believed what society told us - that the darker people were less attractive and the lighter ones were prettier - we would have had sibling murders. My family, being half-rural and half-military, just came from a different place.
I'm kinda racist... I don't really like dark butts too much... It's rare that I do dark butts. Like really rare... It's like, no darker than me. No darker than me. I love the pool test.... If you can be like 'Yo, baby. I met you in the club. Let's go back to my house. Jump in the pool exactly like you are.'-And you don't come looking better wet than you were before you got in the pool then that's not a good look.
I began to realize that this idea of the lighter the better and the darker the worse was really - had an impact on sororities, on friendships, on all sorts of things, and it was stunning to me.
You have a negative, and you can have an influence whether you want to have it more contrasty or less contrasty; you can pre-flash the photo paper. You can make it warmer or colder, lighter, darker. This is all a way of manipulating the image in a normal way, not changing the pixels.
I mostly eat healthy. I just do. I'm not a vegan for health reasons - although obviously I'm 20 pounds lighter than when I started. I stayed 20 pounds lighter. I feel better. My friends say I look better. All that's true. But I'm a vegan for compassionate reasons.
Since Idi Amin was from the Sudanese section in the north of Uganda, he was darker skinned. He had more of a blue undertone. So, we did change the coloring of my skin to be closer to his. But otherwise, there were no transformations besides acting.
I agree that lighter-skinned women get favored in Hollywood, and I'm not proud to say that.
And my one prayer to God, the miracle worker, was that I would wake up lighter-skinned.
Indeed, what forces us at all to suppose that there is an essential opposition of 'true' and 'false'? Is it not sufficient to assume degrees of apparentness and, as it were, lighter and darker shadows and shades of appearance- different 'values', to use the language of painters?
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