A Quote by Diane Keaton

As an actress, I'm drawn to emotion and expressing the human condition in all its forms, and I'm fortunate to have thoughts and feelings at my fingertips. — © Diane Keaton
As an actress, I'm drawn to emotion and expressing the human condition in all its forms, and I'm fortunate to have thoughts and feelings at my fingertips.
'The Human Condition' is me exploring some ideas and thoughts that I have that don't fit one sound. I'm giving emotions a sound - it's a fusion of genres. There are four EPs in 'The Human Condition'; each title is a different emotion.
I was really drawn to spoken-word style poetry. I loved the rhythms, and for some reason, I was just drawn to this poetry as a way of expressing my feelings, because I didn't have any other outlet.
Expressing emotion is not so easy. He has to remind himself that English is not her first language. Expressing emotion can be difficult even when the words are familiar.
One thing I think is that comics are really good at expressing emotion. I think there's a way that comics characters can be drawn not-realistically, but the emotional reality is still very sincere. So you can have these exaggerations that express inner emotion through physical appearance.
I think really good drama comes down to real human emotion. That's what makes us all tick, and that's what I've always been drawn to when it comes to scripts is real human emotion and dealing with that.
I always say, as an actress, I get to portray the human condition, but as an activist, I get to change the human condition.
You are meant to judge physical reality. You are meant to realize that it is a materialization of your thoughts and feelings and images, that the inner self forms that world. In your terms, you cannot be allowed to go into other dimensions until you have learned the great power of your thoughts and subjective feelings.
Where is the boundary between your thoughts and feelings and my thoughts and feelings? Where does it end - the outer layer of epidermis? If you look at the body as energy - not matter - maybe there's a possibility we as human beings are more connected to one another than we realize.
It's so much easier for me to get up and be someone else than expressing my own thoughts and feelings.
The sum of human wisdom is not contained in any one language, and no single language is capable of expressing all forms and degrees of human comprehension.
in addition to the conditions under which life is given to man on earth, and partly out of them, men constantly create their own, self-made conditions, which, their human origins notwithstanding, possess the same conditioning power as natural things. whatever touches or enters into a sustained relationship with human life immediately assumes the character of a condition of human existence. this is why men, no matter what they do, are always conditioned beings. whatever enters the human world of its own accord or is drawn into it by human effort becomes part of the human condition.
We are writing stories with light and darkness, motion and colors. It is a language with its own vocabulary and unlimited possibilities for expressing our inner thoughts and feelings.
Great emotion always tends to become rhythmic, and out of that tendency the forms of art have been evolved. Art becomes artificial only when the forms take precedence over the emotion.
There are, I think, four distinct types of weird story: one expressing a mood or feeling, another expressing a pictorial conception, a third expressing a general situation, condition, legend or intellectual conception, and a fourth explaining a definite tableau or specific dramatic situation or climax.
I think that if there's one key insight science can bring to fiction, it's that fiction - the study of the human condition - needs to broaden its definition of the human condition. Because the human condition isn't immutable and doomed to remain uniform forever.
Mice are very difficult to do front on, but they have nicely human little hands and feet, and whiskers and tails are great for expressing emotion.
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