A Quote by Diane Ladd

I always had a trunk full of good reviews. I'd get magnificent reviews, and I'd be standing out on the unemployment line! — © Diane Ladd
I always had a trunk full of good reviews. I'd get magnificent reviews, and I'd be standing out on the unemployment line!
I've seen many shows ruined by bad reviews and good reviews, so I always tell my actors not to read the reviews until after the run is over.
It's always good to get good reviews. I read my reviews. There are a lot of writers who don't read their reviews at all. I read them; then I put them away because it's not good to engage with them too much.
I get a sick joy out of bad reviews. I don't read good reviews.
Every year I tell myself that I’m not going to read any reviews and then I do. We’re all human and when I read something negative it hurts. I think when you write it’s part of the game, you’re going to get some good reviews and some bad reviews and that’s how it goes. I don’t write for the reviews.
Every year I tell myself that I'm not going to read any reviews and then I do. We're all human and when I read something negative it hurts. I think when you write it's part of the game, you're going to get some good reviews and some bad reviews and that's how it goes. I don't write for the reviews.
I've never had a movie that got great reviews. I've had movies that got different levels of good and bad reviews, but you can more or less count on plenty of bad reviews.
I don't pay much attention to the press. My films always get good reviews and bad reviews. I just try to make the best film I can.
I was seeing a lot of really good things about Get Shorty when it came out, and my wife pointed out that if you validate the good reviews, you also have to validate the bad reviews.
I've had movies bomb with terrible reviews, I've had movies make a lot of money with terrible reviews, I've had movies get good reviews and make money. And I like it best when the movies do well and the reviewers like them.
There's two kinds of press that you get when you put out a TV show: The reviews, and the people that just decide what the reviews say.
Writing is exhilarating, but reading reviews is not. I've been really devastated by 'good' reviews because they misunderstand the project of the book. It can be strangely galvanising to get a 'bad' one.
The funny thing is that some reviews are published in magazines and websites that are seen by millions of people, and other reviews are in very small publications or less popular websites, and you just have to be lucky to have the good reviews land in places where more people see them, and bad reviews land in places where they will be less seen.
If you make a good show, you tend to get good reviews. I don't believe it is as arbitrary as some people tend to think, which artists do to protect themselves against bad reviews.
I don't read reviews. Just because that is something that's directly connected to my job. I'm doing this because I love it, not because I'm necessarily looking for approval or anything like that. To me, it seems that reading reviews - whether they're good ones or bad ones - can only sort of force the person to divorce themselves from the reality of what it is they do for a living. So I don't read reviews.
Everybody says before reviews come out, 'Oh, reviews don't matter,' just in case they're bad; everyone want to brace themselves.
Still, one of the few good things about being dyslexic is that when I say I don’t read reviews, I mean I don’t read reviews.
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