A Quote by Diane Lane
I don't know what it is, exactly, but there's a negative drag on film sets after the second week or so, a mutinous vibe because the infinite capacities of the directors and everybody else become quite finite and everybody's under the gun and it becomes work.
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It's through working with a lot of first-time directors that I realized that people learn on their feet. Everybody works on something for a different reason. Everybody has got something new to learn on these sets, and you don't have to know everything, the second you start.
The end goal is to make a piece that everybody has ownership over and everybody's proud of because everybody contributed to it. I think there's a communist, socialist vibe to 'Portlandia' to make it work.
To find money to make a film, you have to write maybe 50 pages to explain what you'd like to do, what the film will be, but everybody lies. Because he doesn't know what the film will be. Everybody writes 50 pages and sends it to a TV channel, a producer, to get money, but everybody lies. Or else your film is not interesting.
A director on a film really sets the tone of how people go about things, so everybody is happy to be at work and everybody does their best.
I'm friends with everybody, I love everybody. I trust everybody because they don't give me reasons not to you know what I'm saying? So, if everybody just trusted everybody and if everybody just loved everybody then we'd live in a perfect world... you know what I'm saying? I mean, why not?
I work with directors who haven't had the experience of being on sets as much as I have. I feel like, in a way, if it's an independent movie, I can teach the crew to kind of relax, or create a vibe. It really is about a vibe.
I agree with Ru that it'll never be mainstream, because mainstream means everybody knows it, everybody loves it, everybody accepts it. That's never gonna happen with drag, but it's definitely become more mainstreamed for people that never knew anything about it, being opened up to it as a form of art.
When you're a guitar teacher, you teach people for a few years, and you become comrades after a while. Because everybody eventually catches up to everybody else, and you want to help each other out - to see if you can make the dream a reality.
The bottom line is, as the season goes on, everybody becomes more comfortable. For a quarterback, it's more than just him. It's everybody else doing things. Offense is all about how things work as a unit. It's everybody being comfortable.
Negative energy? Sure, there are awkward moments, but you're in 'Big Brother.' Everybody is trying to win, everybody is trying to form alliances, everybody is trying to kick everybody out of the house. If there wasn't negative energy, then we weren't playing the game.
A lot of times, sets are not such fun places to be, and especially television sets, because everybody works so hard, and everybody's kind of grumbling about getting up at 3 o'clock in the morning and not getting home until midnight.
It [TV] is the cancer of film. It's why people can't be educated to film. In the late '60s, we expected to see a movie or two every week and be stimulated, excited and inspired. And we did. Every week after week. Antonioni, Goddard, Truffaut - this endless list of people. And then comes television and home video. I know how to work exactly for the big screen, but it doesn't matter what I think about the art of movie-making versus TV.
The secret to happiness is to be working at your passion. If you want to be miserable, lead a desperate life like everybody else where they drag their asses to work everyday because they hate their job.
The difficulties in the study of the infinite arise because we attempt, with our finite minds, to discuss the infinite, assigning to it those properties which we give to the finite and limited; but this... is wrong, for we cannot speak of infinite quantities as being the one greater or less than or equal to another.
When you become a top player, you think that nothing else and nobody else matters. You can tell everybody on earth, 'Listen, I'm playing tennis, I don't have time for you. I'm in the semifinals of the U.S. Open, screw everybody and everything else.'
Although computer memory is no longer expensive, there's always a finite size buffer somewhere. When a big piece of news arrives, everybody sends a message to everybody else, and the buffer fills.
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