A Quote by Diane Lane

Well, I didn't really admit that I anywhere until my daughter started school and I knew I couldn't pull up and leave when I felt like it. — © Diane Lane
Well, I didn't really admit that I anywhere until my daughter started school and I knew I couldn't pull up and leave when I felt like it.
I didn't know anybody who was a filmmaker - there was no film industry where I grew up. I never knew what a director really did until I was in high school and I started reading up about it. I've always loved films, and I always felt like a storyteller.
And as paralyzing and upsetting as all the never agains were, the final leaving felt perfect. Pure. The most distilled possible form of liberation. Everything that mattered except one lousy picture was in the trash, but it felt so great. I started jogging, wanting to put even more distance between myself and school. It is so hard to leave—until you leave. And then it is the easiest goddamned thing in the world.
When I was growing up, I never felt that I belonged anywhere because we never lived in a house for more than three months. That's all I knew, and that's why I don't really belong anywhere.
I grew up in the church, and I always kind of knew Bible stories and knew the Sunday school answers, but when I was a freshman in high school I joined youth group, and that's when I started to see radical love; that's when I started to see what Christian community is supposed to look like and what fellowship is supposed to look like.
When I was younger - up until I was 19 years old and in college - I was surrounded with people in high school who felt like they knew what they wanted to do with their lives, and that was intimidating to me because I didn't.
I wrote the script to 'Lady Bird,' and it really came out of a desire to make a project about home - like, what the meaning of home is, and place. I knew Sacramento very well, obviously, growing up there, and I felt like the right way to tell a story of a place was through a person who's about to leave it.
According to one account of the New York City schools during the 1950s: The teacher could not technically hit the child, but the old crones found ways of skirting the rules. The push-probe-pull method was popular, in which the teacher would not hit you, but would poke you with her gnarled, witch-like fingers and grab your face like a taffy pull until you screamed. ... The pull-and-choke was also a favorite. It was executed by pulling the compulsory necktie up like a noose, until the errant boy's face turned the school colors.
It's no coincidence that I began writing the day my daughter started school. I knew everything I knew before I began to write, but I was raising two children and didn't have the time to get to the typewriter.
I admit that I ain't no angel, I admit that I ain't no saint - I'm selfish and I'm cruel and I'm blind. If I exorcise my devils, well my angels may leave too. When they leave they're so hard to find.
It's really going to happen. I really won't ever go back to school. Not ever. I'll never be famous or leave anything worthwhile behind. I'll never go to college or have a job. I won't see my brother grow up. I won't travel, never earn money, never drive, never fall in love or leave home or get my own house. It's really, really true. A thought stabs up, growing from my toes and ripping through me, until it stifles everything else and becomes the only thing I'm thinking. It fills me up like a silent scream.
I always knew, deep down, that I'd love to be an author, but I don't think I really thought about trying to do it seriously until it was time to leave school and consider what I'd do next.
When I started acting, doing theater stuff at a young age, I was always the comic relief-type roles, so I knew I had a funny bone and could make groups of people laugh, but I didn't really take it seriously until I started getting paid on a weekly basis; then I was like, 'Oh, well, this could be a lifestyle.'
I started school because I felt like, as a songwriter, I was operating solely on instinct, and I was having a hard time deciding exactly what words I wanted to use. I felt like I wanted to be a writer, and being a curious person, school felt like a way to solve the problems I was having with my own work.
Initially I started writing because I felt like I didn't fit in. I just moved to a new school and I felt quite lonely. I think that's where it all started for me.
I actually wanted to be a police officer like my dad for the longest time, up until my sophomore year in high school when I started doing plays. I did plays when I was little, but in high school, I started getting into acting.
When you're picking up and moving, it does create... well, I can sleep anywhere, which is really useful, it turns out, on movie sets. But what it really does is teach you how to adapt and change and fit into a new group or school, and that really is a lot like turning up to a new movie project and finding your place.
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