A Quote by Diane Lane

For me, I don't even like to promote my films but I have to because it's in the fine print of my contract. — © Diane Lane
For me, I don't even like to promote my films but I have to because it's in the fine print of my contract.
I would have had a clause in my contract; I would've definitely put some fine print in my contract that said, "If the president leaves, I'm leaving." That'd be the bottom line.
You just have to find a lawyer that won't let you sign certain things - and I mean the fine print, because I was gone from Phil Spector and signed with Gamble and Huff in Philadelphia, and Phil bought my record contract back from them.
What our Lord said about cross-bearing and obedience is not in fine type. It is in bold print on the face of the contract.
Just as fighters you have to be smart, you have to read the fine print in your contract and you have to do what's best for your family.
You should never form judgments from front page headlines. As with a contract, the fine print on the inside pages should be carefully studied.
I'm not in the business to promote myself. I'll happily promote the show that I worked so hard on - that's fine. But I feel like there's a shamelessness about promoting yourself now that I'm really uncomfortable with. People will say, "Look at me being so peaceful on this hike," but you're absolutely not being peaceful, you're focused on looking good because you're getting your picture taken.
I guess this is why I hate governments, all governments. It is always the rule, the fine print, carried out by fine-print men. There's nothing to fight, no wall to hammer with frustrated fists.
According to me, a film can talk for itself. Like, Aamir Khan does not promote his films on a large scale, but his films work on the box office.
The big print giveth, and the fine print taketh away.
Self-publishing worked for me. Being able to put your work in print, even if it's a tiny print-on-demand print run of a dozen or so copies, shows publishers and editors a completed piece of work and that you can follow through on a project.
Honestly, I'm sure the WWE's not looking for 47-year old rookies and that's fine with me. The timing of my career worked out where when I might have been interesting to them, were times that I was under contract with TNA or Ring of Honor and that's fine with me.
Even as a teenager, my sensibility was different because my parents introduced me to some amazing films. I grew up watching films like 'Kabuliwala,' 'Casablanca,' and 'Mandi.'
I look back upon those days in the Crockett/Turner era of The Four Horsemen and often wonder how I made it out alive. Perhaps my contract had some fine print on it that said, 'Associating with The Four Horsemen can be hazardous to one's health.'
We are working on organising classical music festivals in a bid to promote qawwali there and produce films that promote music. Perhaps people lack the talent as yet, but at least there's a stable platform available to promote this as an art form.
I want to do acting as much as I can. When you're on contract with a show, you can't really do other shows. It's hard to do film. I haven't had the opportunity to even audition much for films because I don't have an agent.
I think what you have to do in print is to create even more memorable images and more memorable pieces because what one consumes online or in social has a much shorter shelf life, so to speak, so what print has to have is no more weight, but it has to be something that you can't find so easily online. It has to really stand for print.
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