A Quote by Diane Lane
It's rare that you get to have a lovely time of it and you're not just portraying endless trauma on film.
Related Quotes
I don't want to get into splitting hairs. Trauma is trauma. I'm not in a position to quantify or qualify people's trauma.
'Sholay' can be given so many interpretations. I have seen this film so many times since the time I was a kid that I think that there could be 50 lovely interpretations to this film. Different filmmakers can give it so many interpretations, as it's a lovely film.
We [Americans] have a historical trauma when it comes to the past relationships when it comes to Native Americans and the history of how America was created. With this film, it's nice to see that the trauma is presented from a white male that was in the Civil War and that trauma affects him in a way that still exists.
It's very rare to get a film script that has good dialogue. A lot of the time, you spend on film sets really fighting to find out how to say the words.
In the case of 'The Lovely Bones,' I felt that it was subject matter not often dealt with in film, and with a tone that is also rare.
Most important, in portraying gay people... it's just like portraying anybody else.
It definitely does take some time to get accustomed to the character you're portraying and takes an equal amount of time to get out of it.
You will have Time, that rare and lovely gift that your Western countries have lost the more they have pursued it.
If we take a hard look at what poverty is, its nature, it's not pretty - it's full of trauma. And we're able to accept trauma with certain groups, like with soldiers, for instance - we understand that they face trauma and that trauma can be connected to things like depression or acts of violence later on in life.
I'm still in the middle of the transition. I'm still in man-boy mode. And that won't go away for a while. But it's a fun time to be in, because it's very rare that people get to work through this time. It's rare to see a John Cusack in Say Anything. It's rare that you'd find an actor right in the cusp of the child-to adult transition, just got through puberty, just getting into a different way of life. There's few movies like that, and few roles like that, so it's going to be tough to pick and choose. I guess the goal is good people, work with good people.
When you read enough stories about people who have been through different levels of trauma, and it doesn't matter what the history is, trauma is trauma, there's always this freeing of the spirit.
An instant realization sees endless time. Endless time is as one moment. When one comprehends the endless moment He realizes the person who is seeing it.
I'm portraying out characters, I'm portraying femme characters, characters that are really outside of the box. I never thought I would get that opportunity to portray those characters at all, much less have a career that I have.
It is the rare and strong person that can carry their trauma without having it spill into the next generation.
Within the microcosm of a film you get drawn to people. There are certain projects you care enormously about, and 'The Edge Of Love' was one because I was portraying a great hero of mine, Dylan Thomas.
You are always invested in a film, but there is always a different feeling you get when you are portraying a character that is based on real life and you are re-telling events that actually took place.
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