A Quote by Diane Lane
Some people fascinate me. They really worship at the altar of their careers, you know? And it's terrifying. It's sort of like setting a table and waiting for someone to come along and whoosh - push all the plates onto the floor.
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We're full of electricity, and the walls and floor of a building contain carbon - the same makeup as a video tape - and I think we give off a huge amount of energy. Some people are able to see that and pick that up. I think almost every person I've met in my life has had some sort of experience that they can't explain, and those fascinate me.
Some of us attend the church on the corner, professing to worship the living God above all. Others, who rarely darken the church doors, would say worship isn't a part of their lives because they aren't "religious." But everybody has an altar. And every altar has a throne.
I used to be really nervous when I sang. Like, when I was a kid starting young, 18 and 19, and my dad really had to sort of push me to start singing in front of people. Ever since I got out there and really started doing it, the only thing I've ever tried to do is just sort of is be myself, you know, never put on a voice. Sing naturally.
I've figured out what to do so far, but it's always the next thing you come to where the man with the bucket of ice cold water is waiting - whoosh! in your face. That's why you work with directors who know what to tell you to do.
I draw hundreds and hundreds of pictures of sort of gnarly looking men, so I don't know what that tells you. People who look like... they're waiting for a sandwich that's never going to come. I don't know what's wrong with me.
People have a different idea of how movies are made than they really are. On a certain level, everyone throws ideas into the hopper. It's not like the actors are wind-up dolls that you push out onto the floor, play with, then put back in the box. You get people around you who you trust; the writer, the producer, the director and all the actors all contribute.
I don't know where the ideas come from, and it's terrifying. They seem to be absolute flukes. When I was in my 20s, I'd walk around with a notebook all the time and make sure I wrote down anything that occurred to me. Now I'm just hoping that some sort of event will descend on me.
Why I'm so stimulated by [producing] is it becomes more proactive. Instead of waiting around for a script to come in, or some movie trying to go. You're waiting around always for that opportunity, which is great, but I like to be a little bit more proactive. I'm a very action-oriented guy - I'm a doer. The company really became this spearhead for that sort of attitude, and so that, to me, was the most exciting part of it.
And the other thing for the sort of posher kids was a sort of lethal scooter, you know. One of the things that you just push along with your - really heavy, lethal, you know, trap your fingers in and every bit of metal got rusty very quickly. And the girls I seem to remember they had a thing like a broomstick with a horse's head on the top which they sat astride.
I split the omelet between the plates and stopped when Curran's arms closed about me. He pulled me against him, pressing my back against his chest. I heard him inhale my scent. His lips grazed my temple. Here we were, alone, in my kitchen, holding each other while breakfast cooled on the table. This was some sort of alternate universe, with a different Kate, who wasn't hunted like a wild animal and who could have these sorts of things. "What's up?" I asked softly. "Just making sure you know you're caught.
When new things come along, some people always want the newest of the new - 'This is what I've been waiting for!' - and some people don't want or need the change - 'I like my old one.'
[Walter White] had keep [people] waiting while you got the impression that he was terribly busy with calls to Washington. I've seen such exhibitions in that direction as having someone come out of his office to the switchboard operator - which at that time was sort of located in the center of wherever people were waiting - and ask to call such-and-such a place, or a call through to Mr. So-and-so, or somebody like this, you see.
And that's just a terrifying and terrifying thing. And all the photographers and, you know, it's a different, unnatural setting that no one can prepare you for. But, you know, I just try and have as much fun as I can for as long as it lasts because I know it's a privilege.
There are scores of people waiting for someone just like us to come along; people who will appreciate our compassion, our encouragement, who will need our unique talents. Someone who will live a happier life merely because we took the time to share what we had to give.
Women leave my seminars with a level of confidence they didn't have before. They can go out, meet people, start conversations and have a good time. They don't have to worry about waiting for someone great to come along as they know they have the tools to make it happen.
Crowds of questions stream through me like lines of people exiting a soccer ground or a concert. They push and shove and trip. Some make their way around. Some remain in their seats, waiting for their opportunity.
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