A Quote by Diane Morgan

While other kids were into New Kids on the Block, I was into Harold Lloyd and Stan Laurel. — © Diane Morgan
While other kids were into New Kids on the Block, I was into Harold Lloyd and Stan Laurel.
In Brooklyn, the block wasn't very long or very wide, and not that many kids were out there, either. But when I got to Florida, there were a lot of kids on my block, young kids, older kids, and they could play outside until the sun went down and have fun.
No one stopped me from playing when I was alone, but there were times when I wasn't able to, though I wanted to... There were times when nothing played back. Writers call it 'writer's block.' For kids there are other names for that feeling, though kids don't usually know them.
In some communities it is - like, for me, coming out with my parents, they were not accepting; they were not understanding. So it depends. For kids in New York and L.A., maybe it's different, but for kids in Iowa, for kids in Tennessee, it's still something that's not really talked about.
Although I had good hand-eye coordination, I was so tall and skinny and muscularly weak that I just was not well coordinated. But what I started to do quite early on was watch some of the great old silent comedians, like Laurel and Hardy and Chaplin, and then later on Harold Lloyd and Buster Keaton.
There's no shame in owning a New Kids on the Block t-shirt. They were my first concert when I was eight.
New Kids On The Block were never my thing; my middle school crush was on Rob Van Winkle.
My two boys were the same ages as the kids in the show. In real life or in between the breaks I was raising two kids off camera who were not unlike the two kids who were being paid to be my kids.
When you talk about *NSYNC or Backstreet Boys - we were like the New Kids, and New Kids were like the Bee Gees. But Girl Radical will be the first ones, and that's a crazy idea. That's what got us so excited.
On the one hand, people think they own kids; they feel that they have the right to tell the kids what to do. On the other hand, people envy kids. We'd like to be kids our whole lives. Kids get to do what they do. They live on their instincts.
I grew up on Harold Lloyd, Charles Chaplin, and Buster Keaton, and those were the ones who inspired me.
Now I've devoted my life to making sure that I can be a trailblazer for any other African American kids or any other gay kids or any other kids that just feel weird or uncomfortable and have their own issues and don't know how to express themselves. I want to be like a beacon for those kids now.
I went to a public high school and most of the comedy was coming from the black kids and the Asian kids and the Hispanic kids. And, the coolest kids to me where always the black kids. They were always fashion forward and they always dressed the coolest. They were always the best dancers, and just the coolest people.
On 'Dawson's Creek,' those kids were supposed to be outsider kids - you know, wrong-side-of-the-track kids, weirdo kids. And I just felt like there's no universe out there where Katie Holmes isn't the prom queen, hottest girl in school.
Oh, I love the kids more than any other age group. I hate to say that, but new life is with new kids, you know? They're the future. The sheer fact that they're young and eager, that's what makes them rule.
With 'Tower Prep,' Cartoon Network wanted to go into a new area where no other kids' programming was going. There were a lot of kids' sitcoms on the air, but they wanted to really go with more of like an adventure/drama feel.
I love making books for children. Big kids, little kids, old kids and new.
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