A Quote by Diane Morgan
I've only written stand-up and sketch before, so writing something long-form on my own is proving quite difficult. But I'm enjoying it as well.
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You have to do stand-up quite a long time before you learn how to do it well.
You have to do stand-up quite a long time before you learn how to do it well. It was probably years before I was confident enough in stand-up that I was able to talk about the things I wanted to talk about, the way I wanted to talk about them.
I started stand-up in 2007. I'd done a couple of gigs before that, but not much, and I was in a sketch group at Uni from 2005 as well.
I do like a well-written sketch with a bunch of jokes in it, and I like stand-up with good jokes in it it.
But long story short, I didn't start doing stand-up because I wanted to have a TV show or be an actor or even wanted to write sketch comedy. I got into stand-up because I love stand-up.
When I graduated, I was director of my school's sketch comedy group, and I knew that I wanted to be writing and performing my own sketch comedy. It kind of made me want to do my own one-person sketch group.
There is something about a Republican that you can only stand him just so long; and on the other hand, there is something about a Democrat that you can't stand him quite that long.
I never considered my dreams wasted energy; they were invariably linked to some form of action. When I dreamed about having a lemonade stand, for example, it wasn't long before I set up a lemonade stand.
In some ways, it's easier to go from short form to long form than vice versa. I used to make 30 second 'movies,' and I think if I only did long form I would find it difficult to adjust to that short a length. 'I gotta say something in 30 seconds. Forget about it!' There have been directors who have done commercials over the years, but they seem to be the exception.
It's a hard thing to examine and difficult to speak for other writers, but when I look at my own writing there is often too much reticence. And that's a flaw I have as a person as well. I'm too reticent. I'm non-confrontational to a fault. And I'm risk-averse, which probably shows in my sentences. The aversion to long lines, the tendency to strip things back and be spare. My writing is an act of erasure that's tied up with my personality. I can easily produce a ninety thousand word chunk of writing and then cut back and back until I've only got ten thousand words. Or nothing.
There is no means of testing which decision is better, because there is no basis for comparison. We live everything as it comes, without warning, like an actor going on cold. And what can life be worth if the first rehearsal for life is life itself? That is why life is always like a sketch. No, "sketch" is not quite a word, because a sketch is an outline of something, the groundwork for a picture, whereas the sketch that is our life is a sketch for nothing, an outline with no picture.
There are some books that refuse to be written. They stand their ground year after year and will not be persuaded. It isn't because the book is not there and worth being written -- it is only because the right form of the story does not present itself. There is only one right form for a story and if you fail to find that form the story will not tell itself.
I'm a huge sketch comedy fan, and I think my love of sketch is reflected in my stand-up in that I do a lot of vignettes and voices and characters.
I carry my thoughts about with me for a long time... before writing them down... once I have grasped a theme. I shall not forget it even years later. I change many things, discard others, and try again and again until I am satisfied; then, in my head... [the work] rises, it grows, I hear and see the image n front of me from every angle... and only the labor of writing it down remains... I turn my ideas into tones that resound, roar, and rage until at last they stand before me in the form of notes.
I think that if you just kind of try to throw together a sketch show, but you don't have any real vision for what you want to do with the sketch, I don't think your chances are very good. You know, "Let's just have a sketch show!" You have to do something different with it; you have to reinvent that form every so often.
You really have no idea whether or not what you're writing is funny. In stand-up and sketch comedy, you know right away and you can make your changes accordingly.
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