I don't presume to describe myself as a creator anymore, but I certainly love the process, and I hope I can do a lot of great things for the talent who are in and around DC.
I've had the luxury of working on a lot of our great brands here at Warner Brothers, including a lot of the DC ones. I've also worked on a lot of great brands that were not DC.
I would love to work in international movies just because the talent all around the world is great. There's a lot of good talent and the audience base is bigger.
Being a 'hunk' is going to do great things for my love life, and I'll get a lot more offers. But I'll certainly never see myself as one.
There are things you can describe in life and things you just can’t. There are dangers and adventures, miseries and fear that you can tell about… well, then there’s hope and joy and love – and those are beyond the power of words to describe.
It is impossible to devise a scientific experiment to describe the creation process, or even to ascertain whether such a process can take place. The Creator does not create at the whim of a scientist.
Everybody has talent and it's just a matter of moving around until you've discovered what it is. A talent is a combination of something you love a great deal and something you can lose yourself in - something that you can start at 9 o'clock, look up from your work and it's 10 o'clock at night - and also something that you have a talent, not a talent for, but skills that you have a natural ability to do very well. And usually those two things go together.
When I moved to Mississippi, I was playing in high school, and there wasn't a lot of talent around me. I figured out that I wasn't going to be able to get to the bucket a lot anymore.
I love creator-owned comics. Most of my favorite books these days are creator-owned, from stuff DC publishes, like 'Fables,' to books like 'Saga,' 'Fatale,' 'Hellboy,' and 'Courtney Crumrin.'
If you presume to love something, you must love the process of it much more than you love the finished product.
I love playing real characters... if they're not around anymore it's helpful because you won't get sued! But there's so much research involved and I love that part of the process.
On the recollection of so many and great favours and blessings, I now, with a high sense of gratitude, presume to offer up my sincere thanks to the Almighty, the Creator and Preserver.
I would hope to end my career here if it came down to it and take other roles with 'Lucha Underground.' I see a lot of the style I was raised on here, and I think I can help out with the young upcoming talent and hope to be around here as long as it lasts.
Talent is a dreadfully cheap commodity, cheaper than table salt. What separates the talented individual from the successful one is a lot of hard work and study; a constant process of honing. Talent is a dull knife that will cut nothing unless it is wielded with great force.
It used to be a given that the talent and the talent agencies would line up around the broadcast pitch season first and then take whatever was still available out to cable. I hate to say it, but it's just not going down that way anymore. There are things that are bypassing the broadcast networks altogether.
You can't ever approach a book as a complete virgin, certainly not if you're a critic. There is a lot of bad faith out there. That's why I finally trained myself not to look at this stuff anymore, because it doesn't do me any good to see myself either praised or attacked.
I think Aquaman feels - and deservedly so - like an A-list, premier DC hero. I hope that carries on; it certainly will carry over to Justice League.