A Quote by Diane Sawyer

Ive always found a cure for the blues is wandering into something unknown, and resting there, before coming back to whatever weight you were carrying. — © Diane Sawyer
Ive always found a cure for the blues is wandering into something unknown, and resting there, before coming back to whatever weight you were carrying.
I've always found a cure for the blues is wandering into something unknown, and resting there, before coming back to whatever weight you were carrying.
Ive had my share of difficult moments, but whatever difficulties Ive gone through, Ive always gotten a prize at the end.
Nowadays blues in particular has a wide, wide, wide, wide net of everything that's called blues. I think if somebody's coming to it in the last ten years or whatever, or even fifteen years, what their experience is what is called blues is different from mine. I have to expand my range of what's been called the blues. I think somebody who's new to it would have to go back and to see what is called blues now, where it came from. If that makes sense.
I think every once in a while country has lost its way, but found its way back. It's always going to drift away from the traditional side, but then find a way to return. There's room for all kinds of influences be it pop, blues, gospel or whatever. But I will always say that I think we need more traditional country music coming down the pike.
Whatever character you play, whatever film it is, whatever story it is, for me, in my training it's always something that gives you a layered character, it's understanding the secret of that character, and so whatever comes up as "Oh, I thought that person was that," you are always carrying that within you. So actually what you're playing all the way through is both and it's just what comes out in the scene or the circumstance.
Singing about your sadness unburdens your soul. But the blues hollers shouted about more than being sad. They were also delivering messages in musical code. If the master was coming, you might sing a hidden warning to the other field hands . . . The blues could warn you what was coming. I could see the blues was about survival.
Ive taken Saturdays to be the day I pull back completely. I do things that are more creative, and Ive actually found that helps me when I get back into work to be more thoughtful, and I truly believe that feeding your creative soul is really important to being more analytical.
The early years when I was starting, blues player, you wasn't always welcome in a lot of the other places. People usually have preconceived ideas about blues music. They always feel that it's depressing and that it's just something that a guy sit out on a stool, grab a guitar, and just start singing or mumbling or whatever.
Ive got Parkinsons disease, I am always going to have Parkinsons disease unless they find a miracle cure, Ive got to deal with this the best I can.
Blues is my life. It's a true feeling that comes from the heart, not something that just comes out of my mouth. Blues is what I love, and blues is what I always do.
I listen to, like, funky Chicago blues. I love blues, but I love the funky, happy blues. There's a song about pretty much everything, including kidney stones, believe it or not. So there's something there for whatever you happen to be suffering, you know?
The leaders I met, whatever walk of life they were from, whatever institutions they were presiding over, always referred back to the same failure something that happened to them that was personally difficult, even traumatic, something that made them feel that desperate sense of hitting bottom-as something they thought was almost a necessity. It's as if at that moment the iron entered their soul; that moment created the resilience that leaders need.
Obama's primary constituency was financial institutions. They were the core of the funding for his campaign. They expect to be paid back. And they were. They were paid back by coming out richer and more powerful than they were before the crisis that they created.
I'm always trying to do stuff I haven't done before or challenge myself so I'm not resting on my laurels all of the time because if I just found my little niche and never left it, I'd be pretty boring, I think.
Ive always loved the blues, John Lee Hooker, Janis Joplin, Hendrix.
As an audience, if you see 1800s or something, it more often seems that the actors are carrying the weight of the time. It always has a Shakespearean tone to it. To me, that always feels very theatrical and very unrelatable.
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