A Quote by Diane Setterfield
I am always happy up a ladder with a paintbrush in my hand. And I wish I had more time to spend in the garden - not least because I get good ideas for writing when I'm out there.
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I wish I had time to do more reading, but I just haven't had much time. But I still find time for writing. I've always preferred writing over reading, even though those things do go hand in hand. But when I do have time, even if it's not writing music, just writing in general - ideas and stories and things like that.
Your body is not your art - it's your paintbrush. Whether your paintbrush is a tall paintbrush or a thin paintbrush or a stocky paintbrush or a scratched up paintbrush is completely irrelevant.
I get a lot of letters from people saying, 'How do I get into radio, how do I get into telly?' and I wish there was an answer, because there's no ladder. There are no parameters. You've just got to go in wherever you can, make the tea, and slowly make your way up the ladder.
As for thinking time versus writing time, well, that's up to you. But - and I wish it were otherwise - books don't get written by thinking about them, they get written by writing them. And that's when you make discoveries about what you're writing. That's when you get the happy accidents.
If I am going up a ladder, and a dog begins to bite at my ankles, I can do one of two things - either turn round and kick out at the it, or simply go on up the ladder. I prefer to go up the ladder!
I can't say that I'm always writing in my head but I do spend a lot of time in my head writing or coming up with ideas. And what I do usually is write the music and melody and then, you know, maybe the basic idea. But when I feel that I don't have a song or just say, God, please give me another song. And I just am quiet and it happens.
It's supposed to feel totally foreign [to play in a series], every single time. But, going back for another go at it is good, on the one hand, but it's also bad, on another hand, because your ideas dry up sometimes, and also you get lazy sometimes because you're around the same people.
When I am directing, it is much, much, much, much, much different. I'm a much more practical person in the world, I show up on time, I am very rigorous about scheduling, and I am very focused. But when I'm writing I am just a big, irresponsible mess and I'm just impossible to get in touch with, and I don't spend time with friends.
I always think it's better to take your time and go through a lot of ideas - and dismiss a lot of ideas - before figuring out where to land. It's a good way to care for your audience, too. If you spend hours and hours and days and weeks coming up with the ending, then there's a chance the fans won't figure it out on their own.
Because you have very limited time and you have to be very judicious and wise about how you spend it. But otherwise, I've always been - ever since I was a kid, I've always been coming up with ideas. So I'm able to come up with crazy ideas twice for two collections! It's fun.
I do have a tendency to talk a lot at the poker table, which throws people off because they spend a lot of time trying to read me. But I talk a lot when I have a good hand and when I have a bad hand, too. Sometimes it annoys people so much they can't wait to get out of the tournament. And that can only be good for me.
I write like anyone involved with a family and a full time job: in stolen moments. I've had to adapt because I have so little writing time, so I write while dinner bubbles on the stove, and get away to cafes when I can. It is good to have a small laptop to haul around. I wish I could admit to bizarre writing habits, you know, like "I can only write in the presence of my favorite pet elephant, who is my fount of inspiration," but the truth, alas, is far more mundane.
I'm always working on something. I wish I had more time for free-thinking and brainstorming new ideas. That's not to say my mind doesn't wander, but I find myself wishing for more of that kind of time.
Many of our students say, 'We wish we had a mentor in high school. We wish we had someone we could spend more time with, who paid more attention to us, who I could sit down with and talk to when I had a problem.' So relationships are critical.
I am very happy in second-hand bookshops; would a gardener not be happy in a garden?
We spend probably more of our time than we should, just because it's close to home, worrying about the West. But it's equally important to figure out how we're going to free up the resources to let the developing world leapfrog the fossil fuel age. That's at least as mathematically important, and at least as morally crucial.
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