A Quote by Diane von Furstenberg
We are living in such a troubled world that fashion seems completely irrelevant. Yet...it's a very, very mysterious thing. Why all of a sudden do people like yellow? Why all of a sudden do people wear combat boots?
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Fashion for me is the perfect combination of all the things I love. There's an element of history to it. I love understanding why people wear what they wear, why during certain periods in history women looked the way they looked. There was always a strong reason behind it, whether it was because of what was available to them or because of what was happening in the world politically or sociologically. Fashion is like an amazing blend of commerce, travel, and creativity - of studying what people were about during a particular time.
Why don't I like crowds? I suppose the worst possible thing I could say is that I don't like people, and that crowds are just collections of people. That seems like a very nihilistic way to look at the world.
I never cared about buying things for myself, like clothes. And then all of a sudden I realized how great it is to be very precise about the shirts that I wear and all the things that are a part of my closet. So the ritual of fashion and shopping became very personal to me.
Fashion is a vampiric thing, it's the hoover on your brain. That's why I wear the hats, to keep everyone away from me. They say, 'Oh, can I kiss you?' I say, 'No, thank you very much. That's why I've worn the hat. Goodbye.' I don't want to be kissed by all and sundry. I want to be kissed by the people I love.
You'd be lucky to get tortured to death in one of my films. It's the best thing that could happen to your career. But I'm very aware that as soon as you put women in this situation, all of a sudden people are like: "Wow, well wait a second!" Immediately, people become very sensitive to it.
All of a sudden I got a vision of Guernica - Pablo Picasso's painting, which is one of my all-time favorite paintings in the world. I remember reading that it was very controversial at the time - some people said even used the word "childlike drawing" - and all of a sudden I thought, "This is like Guernica in Los Angeles!" And then it all made sense to me. It was all the elements that are the Southland.
I write a lot of songs about love and I think that’s because to me love seems like this huge complicated thing. But it seems like every once in a while, two people get it figured out, two people get it right. And so I think the rest of us, we walk around daydreaming about what that might be like. To find that one great love, where all of a sudden everything that seemed to be so complicated, became simple. And everything that used to seem so wrong all of a sudden seemed right because you were with the person who made you feel fearless.
For me, this nomination was as if all of a sudden the crucifix began to wear a yellow star.
… in the relentless and meaningless manner one searches for something in a nightmare, coming on doors that won’t open or drawers that won’t shut, struggling over and over against the same meaningless thing, not knowing why the effort seems so desperate, why the sudden sight of a chair with a shawl thrown over it inspires the mind with horror.
I don't think I responded very well to the sudden celebrity, the sudden fame, and the loss of privacy.
Technological revolutions are very hard to predict. My favourite example is someone in 1850 taking care of horses as a farrier. They would have said, "Look, horses have been part of human existence for 5,000 years. We are horse people. It's permanent." But all of a sudden, the internal combustion engine comes along and, with it, oil fields and automobiles, which basically replace the horse completely. So we often have these long periods of stability and then a sudden inflection point.
You know, an idea is just an idea. There seems to... the kind of epiphanies that you have, like the little sudden bursts of light, they're very small and they're very short and it's the pursuit of the idea that's the important thing. . . . I know a lot of people who have way better ideas than I do that-much more frequently than I do that just can't sit down and actually do it. Ideas are such are a little overrated really; it's the work behind the idea that's the important thing.
A lot of people around the world were, like, very frustrated, you know "Why don't you just release the name? Why is it taking so long?" But the cool thing is that it brought people together, like you said, it brought our fans into the experience, it sort of exposed us, exposed the process, and I think it welcomed Mike Magini, because people saw what happened to get to that point.
With fame, all of a sudden you're seeing yourself through the eyes of a world of men, and that's . . . Look, it's very weird to have part and parcel of a job to feel like you're a lure for men to come into the theater. Some people do have a very innate sexuality to them. I may or may not have it, but it makes people see you in a certain light that has nothing to do with me.
The world of fashion. I'm interested in the world, not in fashion! But, maybe I was too quick to put down fashion. Why not look at it without prejudice? Why not examine it like any other industry, like the movies for example?
I wore combat boots for two albums, then I went into more of the sparkle and glamour. The older that I've become, I've felt very connected to fashion, especially this past year working with [stylist] Kate Young and creating these relationships with people that I never had before.
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