A Quote by Diane von Furstenberg
The wrap dress is the most traditional form of dressing: It's like a robe, it's like a kimono, it's like a toga. It doesn't have buttons or zippers. What made it different was that it was jersey; therefore, it was close to the body and it was a print.
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It's more than just a dress; it's a spirit. The wrap dress was an interesting cultural phenomenon, and one that has lasted 30 years. What is so special about it is that it's actually a very traditional form of clothing. It's like a toga, it's like a kimono, without buttons, without a zipper. What made my wrap dresses different is that they were made out of jersey and they sculpted the body.
It's no secret I like to dress a bit sexy and body-conscious, and as soon as I was pregnant, it was like it was inappropriate to dress the way that I dress. And that really annoyed me. It's a wrong message that dressing feminine and sexy and being a mother can't go together.
I was 26 when I invented the wrap dress. It was just a nothing little printed dress made out an jersey, and before I know it, I lived an American Dream making more than 25,000 dresses a week.
If you see somebody dressing like me, you know they're purposely trying to dress like me because I dress like nothing.
I like dressing like a guy. I love it. When I was modeling I used to do pictures where I would dress up like my little brother. No makeup, and I looked like a boy.
I like dressing like a guy. I love it. When I was modeling I used to do pictures where I would dress up like my little brother. No makeup and I looked like a boy.
I feel like dress socks differentiate you in a different way - especially men in suits who just have the traditional business suit. The dress sock is the way to change it up in your mind and I like wearing my pants up higher so you see them.
In the '50s, women aspired to dress like their mothers - this polished, controlled, formal way of dressing. Then all of a sudden in the '60s, going into the '70s, they stopped dressing like their mothers.
I like dressing how I like to dress, and I look like a little art statement.
I bought my brother some gift-wrap for Christmas. I took it to the gift wrap department and told them to wrap it, but in a different print so he would know when to stop unwrapping.
New Jersey is very big. There are different areas of New Jersey. There is North New Jersey. There is like the center. There are a lot of actors from New Jersey that don't speak with a New Jersey accent.
I had a very down-to-earth product, my wrap dress, which was really a uniform. It was just a simple little cotton-jersey dress that everybody loved and everybody wore. That one dress sold about 3 or 4 million. I would see 20, 30 dresses walking down one block. All sorts of different women. It felt very good. Young and old, and fat and thin, and poor and rich.
I like to bump people, to feel me getting into somebody's jersey. I'm just different. I like contact, like physical play, like pushing and holding. But I'm not dirty.
I feel like I'm a boy, but I don't feel like I should've been born with different parts of my body or anything like that. I feel like it's just all in how I dress and how I talk and how I look and feel, and that makes me happy.
I'm not doing it to pander to people. I just always knew what I liked versus what I don't like. I never liked things with too many zippers or spikes and stuff. That weirds me out. I like things that are pretty. And I think it's great to be pretty. I like being feminine. I think it's good to be feminine. We don't need to look like men or dress like men or talk like men to be powerful. We can be powerful in our own way, our own feminine way.
At twelve I looked like a girl of seventeen. My body was developed and shapely. I still wore the blue dress and the blouse the orphanage provided. They made me look like an overgrown lummox.
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