A Quote by Diane von Furstenberg

I was 26 when I invented the wrap dress. It was just a nothing little printed dress made out an jersey, and before I know it, I lived an American Dream making more than 25,000 dresses a week.
It's more than just a dress; it's a spirit. The wrap dress was an interesting cultural phenomenon, and one that has lasted 30 years. What is so special about it is that it's actually a very traditional form of clothing. It's like a toga, it's like a kimono, without buttons, without a zipper. What made my wrap dresses different is that they were made out of jersey and they sculpted the body.
I had a very down-to-earth product, my wrap dress, which was really a uniform. It was just a simple little cotton-jersey dress that everybody loved and everybody wore. That one dress sold about 3 or 4 million. I would see 20, 30 dresses walking down one block. All sorts of different women. It felt very good. Young and old, and fat and thin, and poor and rich.
You can't beat a Diane Von Fostenburg wrap dress; I always tend to go for the wrap dresses with a little more structure. I also love Prada shoes.
Your earthly body is after all nothing more than a dress and inside it is a finer dress, and you yourself are in this finer dress.
The wrap dress is the most traditional form of dressing: It's like a robe, it's like a kimono, it's like a toga. It doesn't have buttons or zippers. What made it different was that it was jersey; therefore, it was close to the body and it was a print.
When my parents went off to Knoxville to work, I lived with my father's mother. She was strict - the kind who starched and ironed dresses. I had to sit more than I played. Oh, I was miserable. I liked being out with the animals. I'd come in the house with my hair pulled out, sash off the dress, dirty as heck. I was always getting spanked.
I liken myself to a little girl having a tea party at the house all of the time. I actually dress up more in my home than I do walking down the street just because it is so much fun to play dress up.
If I were a buyer today in one of the American department stores, I would go with extremes-the most beautiful, the more expensive, the more eccentric. I would take risks. The worst thing would be to buy only the little black dress. You know why? Because everyone has it already. I would go with a purple dress, something different
I never dress the same way for a week - I'll dress like a whole other person the next week.
I've used a lot of jersey, but I've also done a lot of complex pattern weaves in these fabrics in solid colors, and there are lots of little dresses for cocktail and evening. I've done a series of very important evening dresses as well, just to show that these two ideas can also work well together. Today's woman can wear an important evening dress or a simple pant and top. It's all in the personality of the woman.
I trained three or four days a week for two and a half months, before they'd even let me near the real dress. And I destroyed two practice dresses completely. They were just ripped to shreds. They looked like cats had gotten a hold of them.
I try to put out what I'm going to wear the night before. It just makes things a little bit more seamless in the mornings. There is definitely, you know, sort of a trusty work uniform - a chic, feminine dress that's easy and versatile.
I got a custom-made silk dress from a Chinese tailor for really cheap. I sketched it out on a piece of paper, and they took my measurements and made the dress for me in a day!
Simplicity is the base of everything. At the end of the day if you feel good about yourself, you don't need anything. You don't have to depend on the power of a dress to dress you up. You wear dress the dress, it's not the opposite. It's not only a designer, it's not only just fashion, it's a philosophy. It's a lifestyle.
Ever since I was a little girl, I loved to make things. I always made dresses for my Barbie dolls. When I was 13, I designed my Bat Mitzvah dress.
Vogue always did stand for people's lives. I mean, a new dress doesn't get you anywhere; it's the life you're living in the dress, and the sort of life you had lived before, and what you will do in it later.
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