A Quote by Diane von Furstenberg
The real story is that I am very free, that I've managed to be who I wanted to be without compromising.
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From the very beginning, I envisioned success as selling enough books so I could keep getting published and continue to write what I wanted to without compromising.
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I wanted to tell my story because I believe that if I can inspire or motivate even 10 or 15 people to start losing weight, it's a very big achievement. If I've managed to do it, anybody can.
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How can this strange story of God made flesh, of a crucified Savior, of resurrection and new creation become credible for those whose entire mental training has conditioned them to believe that the real world is the world which can be satisfactorily explained and managed without the hypothesis of God? I know of only one clue to the answering of that question, only one real hermeneutic of the gospel: a congregation which believes it.
We're trying to create content that is very culturally forward without compromising the push of the gospel.
I am a Canadian, free to speak without fear, free to worship in my own way, free to stand for what I think right, free to oppose what I believe wrong, or free to choose those who shall govern my country. This heritage of freedom I pledge to uphold for myself and all mankind.
As someone who is obsessed with fashion, I personally own non-vegan materials and am very open about that. I don't think it's right to pretend to be someone you're not to get sales. People know me on a real level because of how open I am in my videos. It was a simple choice: I didn't want to exclude anyone, that wasn't fair. I wanted EVERY customer to be able to wear my art. And it's morally right. End of story.
It's really tough to make a name for yourself without compromising and without fitting yourself into a real specific mold. When I made the choice that I would be involved in every aspect of music and not necessarily make music for radio or MTV, I was saying, 'OK, this is me. You decide who it is.'
I am preoccupied with the possibility of creating art which functions in a public situation without compromising its private character of being antiheroic, antimonumental, antiabstract, and antigeneral. The paradox is intensified by the use on a grand scale of small-scale subjects known from intimate situations--an approach which tends in turn to reduce the scale of the real landscape to imaginary dimensions.
I had wanted to be a novelist for so long, but I didn't have a story. That story came from the death of my father, and wrestling with how to help my mother. Writing it allowed me to work through my fears, frustrations and desires. I wanted control over the situation. And I wasn't sure I would have any in real life.
I was very blessed it was Steven Spielberg who made the movie. He was very much into the redemption side of the story. They asked him in an interview why he had owned the rights to this story for 20 years before he made the movie, and he said, 'I wanted to see what the real Frank Abagnale did with his life before I immortalised him on film.'
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I wanted to share my life story and honor my roots. I am very proud of my family and mother.
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