A Quote by Diane Wakoski

What line breaks add to prose prosody is a connection between eye and ear which emphasizes the nature of the language by ... creating units of intent and emphasis, and by contouring the meloding pitch changes in the narrative-line.
What is line? It is life. A line must live at each point along its course in such a way that the artist's presence makes itself felt above that of the model... With the writer, line takes precedence over form and content. It runs through the words he assembles. It strikes a continuous note unperceived by ear or eye. It is, in a way, the soul's style, and if the line ceases to have a life of its own, if it only describes an arabesque, the soul is missing and the writing dies.
The connection between the language in which we think/program and the problems and solutions we can imagine is very close. For this reason restricting language features with the intent of eliminating programmer errors is at best dangerous.
Expediency of literature, reason of literature, lawfulness of writing down a thought, is questioned; much is to say on both sides,and, while the fight waxes hot, thou, dearest scholar, stick to thy foolish task, add a line every hour, and between whiles add a line.
In prose, I think you sometimes have to write in very plain language, where every line may not seem to be so important, though in all writing every line is important.
Instead of thinking in terms of chords, I think of voice-leading; that is, melody line and bass line, and where the bass line goes. If you do that, you'll have the right chord. [These voices] will give you some alternatives, and you can play those different alternatives to hear which one suits your ear. Keep the bass line moving so you don't stay in one spot: if you have an interesting bass line and you roll it against the melody, the chords are going to come out right.
There is a fine line I have to walk throughout the writing process in a novel. It is this line between drama and melodrama, and it is this line between evoking genuine emotional power and being manipulative.
The expected vertical line of Ikiru's narrative breaks when Kurosawa does a flash-forward in the middle of the film.
There are many crooked lines and one straight line. Which is the line of truth? Why the straight line? Truth is always the shortest distance between two points.
We now know that sex is complicated enough that we have to admit nature doesn't draw the line for us between male and female, or between male and intersex and female and intersex; we actually draw that line on nature.
It is the cold glitter of the attacker's eye not the point of the questing bayonet that breaks the line.
Nagging questions remain: Where is the line between making the most of one's potential and reaching for the unattainable? Where is the line between education as a tool and education as a kind of magic? The line is blurred and that is why when education fails, disillusionment is so bitter.
The line is a way of framing poetry. All verse is measured by lines. The poetic line immediately announces its difference from everyday speech and prose.
Hazel had read enough books to know that a line like this one is the line down which your life breaks in two. And you have to think very carefully about whether you want to cross it, because once you do it’s very hard to get back to the world you left behind. And sometimes you break a barrier that no one knew existed, and then everything you knew before crossing the line is gone. But sometimes you have a friend to rescue. And so you take a deep breath and then step over the line and into the darkness ahead.
I've always tried to walk a line between being incisive and acerbic, but not mean. Sometimes I'm going to tip over the line a little bit, but that's usually a line I try not to cross.
I think poetry should be read very much like prose, except that the line breaks should be acknowledged somehow.
If a painting contains no abstraction nor impressionistic elements, it is a kite that will never fly. But if the painting completely breaks the connection between human feeling and the object portrayed, the kite string has been broken. I try to keep the line unbroken.
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