A Quote by Diane Warren
I don't just do power ballads. I have a lot of up-tempo stuff, too - like 'Can't Fight the Moonlight.'
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We danced too wild, and we sang too long, and we hugged too hard, and we kissed too sweet, and howled just as loud as we wanted to howl, because by now we were all old enough to know that what looks like crazy on an ordinary day looks a lot like love if you catch it in the moonlight.
My favorite type of music to sing is definitely those big ballads, I just love doing those power ballads.
Years ago, I wanted to be like the girl Ne-Yo. You know, with the mid-tempo ballads - I come from the Babyface era. But that's not trendy; that's not hip-hop.
I like mixing things up, doing some silly stuff, along with serious stuff, up tempo, and some quiet things ... it keeps me interested.
I tend to gravitate toward ballads and mid-tempo songs.
Through the years I've accumulated this big bag of songs. When I go out I do close to two hours, and it's all just attitude - and up-tempo. I've accumulated so many of those types of songs now that the show just gets off with a bang, and I'll only do two or three ballads the whole show.
Feminism is universal. You can't just fight for one type of freedom or one type of female power. You know what? Muslim women want to cover up, and we have to fight for our right to do that, too.
In my player, I have a Luis Miguel CD as well as a Brian McKnight CD. I'm known for my very romantic ballads as well as the fun, up-tempo pop songs.
I grew up listening to a lot of classic jazz, and stuff like The Beatles, and old Motown stuff, and a lot of classical music. I just loved all of that.
Kenny Chesney's music cuts. He gets into those massive ballads like 'There Goes My Life' and 'The Good Stuff' and things like that that just crush you, and delivers them so well. Some of that you can't really put your finger on; it's just magic.
I'm volatile, up-tempo, quick to react and passionate. People often think all that high-energy stuff is just for the stage, but that's me. I like to express myself. When I was younger I would listen to the Jam in my bedroom and jump around in excitement to the music.
A lot of teenagers, when they're in the business, they want to rebel, because they've been so tied up and stuff. I'm not too tied up. I like to have fun. I just don't see myself getting out of control.
I lose tons of stuff on the cutting room floor. For Scary Movie 3, for example, we had a lot of Matrix spoofs, a Hulk scene, and some of that stuff just doesn't hold up - it's too much plot, audiences just didn't want to hear about it.
I was known as a ballad singer who sang melodramatic heavily produced ballads. I'm not known as a mid-tempo singer who does fun songs. I'm not going to do a song like 'Dancing on the Ceiling.'
When I first heard Thundercat's stuff, I thought, 'Man, this is so original.' A lot of his ballads, to me, had such a beautiful harmonic, almost classically Hispanic, feel or, like, Brazilian kind of feeling. I don't think he does that intentionally or anything. It's just I think those are his influences on some level.
My music is a reflection of what I really love to listen to, pop, dance, mid tempo dance and ballads.
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