A Quote by Diane Watson

Ray Charles' revolutionary approach to music was also reflected in his politics and his deep and abiding commitment to Martin Luther King and the plight of African-Americans. Ray Charles may not have been on the front lines, but he put his money where his mouth was.
Ray Charles revolutionary approach to music was also reflected in his politics and his deep and abiding commitment to Martin Luther King and the plight of African-Americans. Ray Charles may not have been on the front lines, but he put his money where his mouth was.
Ray Charles, in his own way, it's like at the beginning, Ray Charles changed American music, not once but twice.
Give it up for Ray Charles and his beautiful legacy. And thank you, Ray Charles, for living.
I think Ray Charles did as much as anybody when he did his country music album. Ray Charles broke down borders and showed the similarities between country music and R&B.
I love Ray Charles. He can still teach everybody a lot about how to make great music. Not necessarily how to make hits, but how to make great music. Of course, part of it is his incredible talent. Who are the greatest jazz singers in the world? Louis Armstrong, Billie Holiday and Ray Charles.
Everyone felt like they knew Ray Charles and in a way they did, because he was embodied by his music.
Martin Luther King, Jr., would have been the last person to have wanted his iconization and his heroism. He was an enormously guilt-laden man. He was drenched in a sense of shame about his being featured as the preeminent leader of African-American culture and the civil rights movement.
When the Quaker Penn kept his hat on in the royal presence, Charles (King Charles II) politely removed his, explaining that it was the custom in that place for only one person at a time to remain covered.
Ray Lewis, I've grown up watching Ray Lewis. Just watching his intensity, his passion for the game, his love for the game, his work ethic. Everything in a linebacker that you want to be is in Ray Lewis, from leadership qualities, all that.
Shortly after I moved to Los Angeles, I was looking for work, and I happened to be invited to Ray's studio and sat in and played on a couple of his demos. I didn't charge him a dime for it. I was on cloud nine to be working in the same room as Ray Charles, one of my huge idols.
I got thrown out of music school for even listening to Fats Domino and Ray Charles. I was asked, 'What kind of music do you like to listen to?' and I said, 'Well, I do like Paul Hindemith and Igor Stravinsky but I also like Fats Domino and Ray Charles,' and they literally said, 'Either forget about that or leave.'
How would you define [Bob] Dylan? You can't. That's a true artist. How about Ray Charles? Can you classify Ray Charles? No, you can't. He's just great, period.
His brother maintained that what sent people backing away was neither his size nor his mother's blood, but solely the expression on his face. To test Samuel's theory, Charles had tried smiling - and then solemnly reported to Samuel that he had been mistaken. When Charles smiled, he told Samuel, people just ran faster.
The American Dream is individualistic. Martin Luther King's dream was collective. The American Dream says, "I can engage in upward mobility and live the good life." King's dream was fundamentally Christian. His commitment to radical love had everything to do with his commitment to Jesus of Nazareth, and his dream had everything to do with community, with a "we" consciousness that included poor and working people around the world, not just black people.
Um. Charles thinks that his wolf has chosen me as his mate." "In less than one full day?" It did sound dumb when he said it that way. "Yes." she couldn't keep the uncertainty of her her voice, though, and it bothered Charles. He rolled to his feet and growled softly. "Charles also said I was an Omega wolf she told his father. That might have something to do with it as well." Silence lengthened and she began to think tha the cell phone might have dropped the connection. Then the Marrok laughed softly. "Oh his brother is going to tease him unmercifully about this.
My major influence is Satyajit Ray; his film 'Shatranj ke Khilari' was set in Awadh and it gave us memorable characters. Ray's musical scores and soundtracks were an intrinsic part of his films. And music to me is important, too.
This site uses cookies to ensure you get the best experience. More info...
Got it!