A Quote by Dianna Agron

I guess my voice kind of changed in middle school. It was what it is now. I remember there was this boy who used to walk behind me and sing that song that goes, "Walk like a man, talk like a man" and I was devastated. So I learned that I can pick up my voice if I want to.
Marvin Gaye was a friend of mine, and he used to say, 'Man, I wish I could sing like you - if I could have that growl in my voice.' And I said, 'Man, are you kidding me? I want to sing like you. Everybody wants to sing like you.'
There are no words and there is no singing, but the music has a voice. It is an old voice and a deep voice, like the stump of a sweet cigar or a shoe with a hole. It is a voice that has lived and lives, with sorrow and shame, ecstasy and bliss, joy and pain, redemption and damnation. It is a voice with love and without love. I like the voice, and though I can't talk to it, I like the way it talks to me. It says it is all the same, Young Man. Take it and let it be.
My dad taught me very early in life that whenever a child learns to walk, he falls a lot of times, but then he picks himself up and learns to walk like a man, and that is something which is a motto in life as well. You gotta pick yourself up, and you gotta walk, and you gotta walk strong.
One of the things I have always said about the man-woman relationship is that I don't want anybody to walk ahead of me and I don't want anybody to walk behind me. I want a man who will walk along beside me. And that's how I feel about equal rights.
One of the things I have always said about the man-woman relationship is that I don't want anybody to walk ahead of me, and I don't want anybody to walk behind me. I want a man who will walk along beside me. And that's how I feel about equal rights.
All I have to do is be me on stage. But acting, I have to be someone else, and walk how they would walk and blink how they would blink. I used to talk about it bad like, 'Aw man, that person made $10 million a movie?' But now I understand why they do. I get it now.
Ali was a threat because he was a voice, and the people hated Ali when he was a voice, but once Ali could no longer speak and he wasn't a voice, they loved him. Love me now. I don't want to be loved if I could barely walk or barely talk. That's not cool.
I love you.” His voice was straightforward, affectionate. “You make me remember who I used to be. You make me want to be that man again. Right now, holding you, I feel like we have a shot at beating all odds and making it together. I’m yours, if you’ll have me.
The way you walk, that's me The way you talk, that's me The way you got your hair up, did you forget that's me? & the voice in the speaker right now, that's me, that's me & the voice in your ear, that's me
I sing the best when I'm really in my voice. It's kind of like I'm meditating but I sort of imagine my voice as a physical thing. I see colours, I feel it moving out of me and I try to tap into images that I was tapping into when I was writing the song.
After school, I'd wait for someone to pick me up and no one would, so I'd be like, 'I guess I'll walk home.' I had to be a hustler, because nobody did anything for me.
When we look at modern man, we have to face the fact...that modern man suffers from a kind of poverty of the spirit, which stands in glaring contrast to his scientific and technological abundance; We've learned to fly the air like birds, we've learned to swim the seas like fish, and yet we haven't learned to walk the Earth as brothers and sisters.
All I want to say to people, man, is, "Yo, you see me walking down the street and I got a little bop in my walk, don't think because I've got a bop in my walk I'm trying to be all that. The bop in my walk is because I'm just like you, man. I bop when I walk." Know what I'm saying? I'm proud. If you see me smiling, standing straight up, gold around my neck, it's not because I'm conceited. It's because I'm proud of what I achieved. I made this. I worked hard for this. That's all this is about.
Years ago I sang on a track using that voice and someone asked, 'Who is that terribly depressed man?' But Patrick loved it. He said, 'You sound like a young boy, like a child, like an old woman, like an old man,' and really, we all have all of those things inside of us. I don't do any vocal gymnastics to make the voice better as I age. If it comes out rougher, then it's true to what's happening. Singing is who I am. I didn't train for it, any more than I trained for anything else I did. I probably should take better care of myself physically, but it goes against the grain.
Onassis was a man who loved to walk, to walk and talk, and he was the kind of man who doesn't go to sleep at night-he talks and talks.
I was a boy soprano. I had a natural kind of voice and then trained it after my voice changed.
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