A Quote by Dianne Reeves

I come from a family of musicians. — © Dianne Reeves
I come from a family of musicians.
On my mom's side, the Jewish side of the family, I come from a family of musicians who are pianists, so I've always loved cultural expression.
I come from a family of musicians. Even the sewing machine is a Singer.
Musicians like to converse. There's always interesting conversation with musicians - with classical musicians, with jazz musicians, musicians in general.
The place that I found where European musicians and American musicians come together is that odd middle world which is called uncertainty.
My brother, Mario, is in show business and so are all my cousins on my dad's side. We come from a family of musicians. My grandmother's sister in Puerto Rico plays five instruments.
I basically am the only musician in my family. My aunt plays a little piano, but that's about it. My dad's mother painted and was actually good at it. I do not come from a long line of musicians, though.
One of the things that's influenced me musically was my experience at Brown University. I was surrounded by musicians that I really admired, and felt challenged to come up with music, lyrics, and recordings that stood up to the expectations of those musicians and myself.
For instance, members of the elite will never allow their children to become musicians normally, because it's - not embarrassing - but it's not done. There's a very famous composer from the '70s from a well-known family that disowned him, and he's a man, so there's this historical precedence with their relationships with musicians - not so much music as it's this abstract thing - but externally with artists.
It was just music all day... My neighbors were musicians, and my brother and my family and everybody... It was just a musical neighborhood. I think the neighborhood was such a good family type of vibe for me that I didn't even realize some of the people weren't my real family till later on in life.
Although my dad was a doctor, we weren't necessarily a super-artsy family. We were just a classic, traditional family who got to take a lot of piano lessons and became a bunch of musicians.
My father was a painter. There was a lot of singing. We hung around with a lot of folk musicians. My family knew a lot of great folk musicians of the time, like Woody Guthrie, Paul Robeson, Leadbelly. They were all people we knew.
I'm an only child, so I don't come from a big family. But it has been my observation from friends who do come from big families that usually, when you have a family fight, on the back end you come out better and stronger for it.
It's definitely about the rhythm of the words and how they sound together, writing one sentence and then another and another and cutting something immediately if it doesn't feel true. I come from a family of musicians and - while I have no musical abilities of my own - I think I inherited a good ear.
I definitely learned to communicate with other musicians better. I used to feel so intimidated by guys who can read notes, like, "Oh my god, they're gonna think I'm not even gonna be able to sit at the table." But I've come to see that a lot of these musicians don't know how to read music either, and that made me feel good. I could just come up with ideas or show somebody things and get the ideas across.
Musicians are affected by the audience just as much as audiences are affected by the musicians. The only problem is that often times musicians won't allow themselves to admit to that fact.
I don't get so much inspiration from other musicians. Especially alive musicians. Late musicians are good - Bach, Beethoven - yes, good.
This site uses cookies to ensure you get the best experience. More info...
Got it!