A Quote by Dianne Reeves
My records are one thing. My live performances are something totally different because they're very improvised performances.
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I am so excited to perform; I am so ready to perform; I love live performances! I think it's something so different from a track; live is just so unique and cool because the energy is just so different. I cannot wait to have live performances.
I think acoustic performances and full, live performances are always cool in different ways.
In principle, I think the idea of rewarding a good effort is interesting, but movies are generally different from each other as are performances and the conditions on how the performances are given and how they're edited and so forth.
The Evolution of Greatness' was an amazing experience, and it's something that we hope to have been a steppingstone for us to come back and not only do more NBA All-Star performances, but do halftime performances at events like the Super Bowl.
Well, no. I believe that it's not at all impossible that some of the performances that I've heard so far by some pianists may be superior to my own playing because those are two totally different acts altogether.
It's very hard to rank performances. It's very difficult, and it doesn't really matter if you rank performances.
The performances you have in your head are always much better than the performances on stage.
I do feel that scripts get developed now to a point where they're sort of actor-proof. If the actor is not very good, the narrative still survives because it's all in the dialogue. Not to say there aren't great performances in English-language films, because there are every year, but the 1970s were awash with great performances, and I was wondering whether it had to do with the amount of space and the amount of responsibility given to the actors.
My favourite performances are by actresses like Bette Davis in 'All About Eve' or Gena Rowlands in pretty much anything - performances that have nothing to do with age.
People who care about records are always giving me a hard time. I mean, I would destroy records in performances, and break them, and whatever I could do to them to create a sound that was something else than just the sound that was in the groove.
I use the echo effect a lot when I DJ because it allows for smooth transitions, especially at different BPMs. It also adds a studio quality to live DJ performances.
I'd like to drill in a little more detail into one aspect of cutting which is particularly close to me and that's dialogue editing. It is a vital part of editing especially in animated film, but in the end it is usually completely transparent to the audience. The vocal performances are reported for over several years and the actors are very rarely in recording studios together. That's why the editor has got to all these different performances and edit them together to create the illusion of spontaneity and real action.
What I found about 'Nashville' coming in is it's about these small performances. It can be on a big stage but detailed, small, heartfelt, real performances from musicians and singers. So if you try to do something bloated or showy, the directors dial us in and let us know.
The old forms of entertainment are not extinct. Live performances are the pinnacle. If you can something that people want to see live, then you have a great career.
I don't understand why people don't use improvisation, especially in comedy films, but also, for me, you get more naturalism, and that's why I like the naturalistic performances and strange rhythms and the way that people genuinely interact captured rather than sort of very mannered performances.
I do a lot of American plays. I've done a lot of Arthur Miller, Tennessee Williams and Neil Simon. I was in 'Sisters Rosensweig,' 'Six Degrees of Separation,' all of that stuff. So we're very familiar with America. I did 400 performances of 'Born Yesterday.' I did 700 performances of 'They're Playing Our Song.'
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