A Quote by Dianne Reeves
I have a sketch of an idea and I never really talk about: perhaps do another jazz record, but with other elements involved.
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In the end, the thing that really stays with you is not that you were clever enough to connect a sketch to another sketch, but what really sticks with you is when you just have an incredible moment happen, or execute a really funny idea.
In New York, I was excited about the music in New York because the only music that I was more or less involved with in the South was either country and western or hillbilly music as we used to call it when I was a kid and, ah, gospel. There was no, there was no in between. And when I got to New York all the other musics that's in the world just came into my head whether it was the classics, jazz, I never knew what jazz was about all, had heard anything about jazz.
I'm a fan of genre in the abstract, but at best, perhaps all we can really say when we talk about genre is that we're talking about an umbrella that covers a kind of story with certain elements.
Jazz is smooth and cool. Jazz is rage. Jazz flows like water. Jazz never seems to begin or end. Jazz isn't methodical, but jazz isn't messy either. Jazz is a conversation, a give and take. Jazz is the connection and communication between musicians. Jazz is abandon.
I've done four records now, and your idea of what it's going to be for that record is never what it ends up being, so there's cynicism in my outlook but there's also some positive outlook in it, like, "I can't really control anything outside of what it is that I do, so I'm going to do my very best and put my best foot forward in everything that I do." The music and whatever else comes outside of that, if something great comes out of it, awesome, if not, I'm going to make another record and another one after that. That's really all I can do.
We don't really talk about music that much, to be honest with you. It's not some I usually - I can't really talk about other people's tracks never mind my own.
The gummy bears tattoo was my idea. It's my son's favorite candy. The sketch was my other son's idea. It's a self-portrait of himself. I just showed the artist his sketch and had him tattoo it on my forearm. It looks like a stick person with big hair. It's pretty funny.
I've been reading about the idea of cyclical lives - it matches up to the idea of string theory and a multiverse. So I wanted to write a record about that instead of another song about broken hearts and drinking.
If I want to do an orchestral record, if I want to do an acoustic record, if I want to do a death-metal record, if I want to do a jazz record - I can move in whichever direction I want, and no one is going to get upset about that. Except maybe my manager and my record company.
Truth of the matter is, jazz is American music. And that doesn't mean bebop. Jazz is really about improvising. All the music that's been created in America has been pretty much improvised... Whether it's hillbilly or rock n' roll for blues, it's basically jazz music... It's basically about another way of hearing what comes out of America.
Well, this is shortly after the idea was put to me because it wasn't my idea to do a Christmas record. We can talk about that a little bit, if you like, later on. But I wrote that song actually about two days after the idea was put to me.
My record label, which is a huge record label who represents massive, massive stars - they've never done anything like this before, and they were so excited about this idea of an animated character which is singing legitimate music. It's not a comedy record, it's a legitimate record. And they really jumped on board. So, we've got our Facebook page up, we'll be jumping on Twitter very soon, and sort of be creating Haley outside of American Dad.
The photograph, now they are detached from their original surroundings, they are involved in a close world in which they only relate to each other: all the rest of 'reality' has vanished. This allows us to see those elements from a new point of view and perhaps to reach a better understanding.
I never gave up on that idea, you know, that jazz musicians have the same opportunity as everybody else and that it's what you put on that record that makes the difference whether you sell it or not or are able to get it into people's households.
Comedy is a funny thing, and it's really not like any other art form in that it's very specialized and varied in it's content, but generic in it's title. You would never go to a club just to see "Live music," you would go to a jazz club to see jazz, a blues club to see blues, etc. But when you go to see "standup comedy," if you don't know the performers material, you really don't have any idea what you're gonna get.
I really wanted to talk about the War on Terror and say that both sides were completely incompetent [in addressing it]. You can't blame the other side when you're involved in it.
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