A Quote by Dianne Reeves

I don't like a lot of monitors on stage. I like the real raw sound of the open piano. — © Dianne Reeves
I don't like a lot of monitors on stage. I like the real raw sound of the open piano.
I despair about the lack of proper respect shown for the piano. If you want it to sound like a traffic jam, go out in the street and forget the piano. That's not a piano sound.
I play the piano a lot at home. I write songs on the piano and guitar. I would like to actually play piano on stage. I don't think I'll get the chance for a while.
I play the piano a lot at home, I write songs on the piano and guitar. I would like to actually play piano on stage... I don't think I'll get the chance for a while.
That's the thing I like about my sound. It's real raw and very unsafe compared to a solid state kind of sound.
The first job I ever did in the theatre, I was supposed to be a genius piano player. I couldn't play the piano, but you just sit there at a piano like you're playing, and suddenly all this amazing music comes out and the audience believes you can do it. It's the same with computers. I love scenes where there are people yanking at monitors, "yes I'll put you through now," and you know they're just doing that. But you can look brilliant at all this technology. I love it.
I think there's an attitude these days that you can go straight from a studio to the stage, and it isn't really like that. But playing live was the most important thing for me at the start because whenever I recorded something, it didn't sound right; I didn't like how my voice sounded. It was just raw.
Listen to 'Dream.' It's just me all the way. It's like raw. It's gutter. It's real. It's authentic. It ain't like nobody else. Don't sound like nobody else, no nothing.
I'm a lot happier on RAW. I actually can't overthink how much better I think I am on RAW than I was on Smackdown. And I don't really know the reason why that is. I feel like I look more at home here, and I feel like I look like I belong here. It's pretty obvious that RAW's the place for me.
It's like that Simpsons joke - they're filming a cow in a movie and they go, 'OK, we'll tape a bunch of cats together to make a cow', and it's like, 'Why don't you just use a cow?'. For some reason that is novel - like, 'Oh, my guitar sounds like a piano and now if I can just get my piano to sound like my guitar'.
I like people writing great songs on guitar or piano or what have you. I miss people getting on stage with real bands and real instruments and expressing themselves that way instead of with computers and technology.
I hear a lot of bad TV commercials that try to sound like Where It's At. That pretty much turned me off from using the electric piano for a lot of years.
A lot of times you'll hear bands and it's a different sound coming out than what's on stage. Because you can clean it up through a PA and make it sound completely different than what they really sound like.
I've always worked at the piano; I like to hear what I'm doing, I like the sound, to hear the actual sound. I get bored just looking at a manuscript.
I use a lot of piano riffs in my production, and someone who I was working with said that I played so good that it sound like Beethoven.
Sometimes I like them artificial and sometimes I like them real. And the reason is because sometimes I like a real close sound. And I like a very specific snare sound and I can't get that in the big room.
Most of my music theory knowledge is based on piano. But I write on guitar a lot, too. I'm not a great guitar player by any means. I'm not a great instrumentalist. I play piano on stage. I don't play guitar on stage, but I use it to write quite a lot.
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