A Quote by Dianne Reeves

The way I look at it, people pay me to travel. Once we get to the stage, that part is easy. — © Dianne Reeves
The way I look at it, people pay me to travel. Once we get to the stage, that part is easy.
I get to experience so much in my life as I travel around, and it's just such a great way to get to share that with people. All these sites, like Twitter and Make It Pro, give me such a very strong way to interact with people. It's easy to let people be part of your life and to keep all of your friends and fans together.
Sometimes, you know, once you pay your taxes and once you pay your expenses, once you've lived this life, things add up quickly. And it's easy to become a statistic. And that's something I've always tried to avoid, and I've always said, hey - not that it won't be me, that, hey, it could be me.
Drag is great way to get people to pay attention to me, but it's a difficult way to get people to take me seriously as a musician. So it's a weird Catch-22. It's like a gimmick that gets them to pay attention, but when they see my image, they're like, 'There's no way this is going to have any legitimacy to it.'
I do whatever comes my way. But I get burned out on stage. It's a lonely world. I think part of the romanticism about being on the road is you get to meet a lot of - my mom once told me, "You've probably got a woman at every port." Like I'm a pirate. Obviously she doesn't know her son that well.
I get very nervous before I get on the stage, but once I'm on the stage, I'm just, you know, me. Nothing hurts me.
I feel like when I get on stage, I want to really open up a way to God for people as opposed to having them look at me.
I realised that if you get yourself labeled as the funny one, people don't look any further. I've used that as I've got older. It's controlling: I decide what part of my personality you're seeing. I don't want you to look at me, I really don't. I don't want you to comment on my clothes, my hair or the way I look.
When you travel with the president, especially when you are traveling to foreign countries, the people that you travel with really become your family pretty quick. ... Most of the people who travel with me, they knew when I would get a stomachache.
If I have to travel, I'm going to travel my way and travel in the real world. And I'm going to have conversations every day with people in rest stops and people in gas stations and people in hotels and diners. That nourishes me.
You don't have to travel, but I find extended travel to be a helpful tool for reexamining yourself and the constraints you've artificially placed on your life. It's easy to believe everything has to be done one way if you're always in one place around the same people.
As a young lawyer, I learned to try to find common ground with people, to look for a human connection. When I got to the Senate, despite the fact that there were a lot of people who didn't want me to get there - and were sure they'd never even talk to me, let alone work with me - I really tried to do the job I was sent there to do by the people of New York, which was to get things done for my constituents. I worked with Republicans, and we found a lot of common ground. It isn't easy, but it's part of what we have to do in politics today.
We travel, initially, to lose ourselves, and we travel, next, to find ourselves. We travel to open our hearts and eyes. And we travel, in essence, to become young fools again—to slow time down and get taken in, and fall in love once more.
There are moments when I am really not happy with how I look, or I think it would be an easy way out to try and do the conventionally attractive thing. But part of it is that I don't have the energy to put on, like, makeup. If people want to do that, that's fine. But I've learned that it's not for me.
I can certainly be surprised by turns a story takes, but usually not once I'm actually in the writing/drawing stage. In the plotting stage, anything can happen. That's why I try to finish that part before I start writing. I may be exaggerating here - I'm sure there are times when I think of something part-way through that changes the story, but the ultimate outcome doesn't change. Or not yet. It could always happen.
Sometimes I look like I was under interrogation. Some people just don't look good in clothes. In New York, Armani and all those clothing people used to call me up and tried to pay me not to wear their clothes. This is as good as it's going to get...and then it's all downhill. I'll be fine. I never feel as bad as I look.
[My father] taught me (at least he showed me) a dignified way to be a former president is that once you're off the stage, you're off the stage.
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