A Quote by Dianne Reeves

Jazz onstage is a very intimate exchange between everybody that's onstage. — © Dianne Reeves
Jazz onstage is a very intimate exchange between everybody that's onstage.
I will say that, I, being a Jew, experience unease before I go onstage; and after I go onstage, and in general. But luckily the forty-five minutes to an hour that I'm onstage I usually forget everything else and I just press play.
Being in a recording studio is a very different feel from performing onstage. I mean, obviously, you can't just go in and do what you would do onstage. It reads differently.
Onstage I'm the one in control - I'm not at the mercy of how an editor chooses to put the scene together later. I can do things onstage that I would never do in real life. It's very freeing.
Often if you are very, very close with someone, sometimes it does not read. In effect, your dynamic onstage is defused. You share too much onstage. There's sort of a blurring of behavior that doesn't read to the audience as chemistry.
I am very active, ... I like to ride horses. I golf. I perform onstage. I am a madman onstage.
You can do stuff onstage that you can't do offstage. You can be angry as hell and enraged and get away with it onstage, but not off.
Being a dancer I've got the idea that through discipline and hard work, you can develop the ability to be in a different dimension within seconds. You can be vomiting, you can detest who you are, detest the world, detest every single thing, and the next moment you are in the light and you glow. You forget everything, and you are just flying. When you're onstage, you are someone else. Beyoncé is very conscious of this. She said to me, "I'm another person when I'm onstage." And I said, "Oh yes, you are! You are an animal when you are onstage. You are a stage animal."
In films, you are a commodity. You are a look, something that the camera really likes, something that has struck an audience in a certain way. It's not really so much about transforming yourself the way actors do onstage. I think there's a difference between the skill of acting in movies and onstage.
I think your posing and your onstage presentation is yet another piece of the craft. So anytime you get onstage to show the muscles and show the finished work, that should be looked at with the same kind of respect and appreciation. I'm glad everybody else appreciates it, but I still want to get better.
Coming from a background of being onstage, you're onstage for two and a half hours and you're in it for the whole time no matter what you're doing. Even if you don't have a line, you have to stay in it.
Some people love being onstage and really open up, and I'm sort of the opposite of that. I don't crave the spotlight. I'm still not comfortable even talking onstage.
I think that, for me, my favorite thing to do is perform standup onstage. Everything else I do is for the exposure to do more stand-up onstage, and for the money, and for the health insurance.
You have to realize, when you're a comedian, that you have to have a thick skin. And trust me, being onstage in front of people is already difficult enough. Somebody's personal attack in an email is not as hard as getting onstage.
I refuse to go onstage without looking into the eyes and touching everyone I'm working with... we're all in it together, and everyone's an equal part when we're onstage.
I like touring extensively because I think the more hours you spend onstage, the more you know who you are onstage.
For me, music is so passionate, I have to give it my all every time I go onstage. Onstage, it was always comfortable for me, because that's where I felt at home.
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