A Quote by Dianne Reeves

Herb Wong was an incredible man. We met when I was performing with Clark Terry at the Wichita Jazz Festival around 1974. — © Dianne Reeves
Herb Wong was an incredible man. We met when I was performing with Clark Terry at the Wichita Jazz Festival around 1974.
I met Gary (Burton) at the Wichita Jazz Festival when I was 18 -- he was one of my favorite musicians and I got to play a few tunes with him there. Shortly after that, I joined his band, which was the equivalent of joining the Beatles for me! He was, and still is, one of the greatest musicians I have ever been lucky enough to be around.
The history of jazz for the last 45 years has come through the Monterey Jazz Festival stages. I think there's developed a legacy and an aura around the festival.
Now, jazz institutions are more readily available for young people, but for me, the institutions were the bands that I was in. When I worked with Clark Terry, that was the beginning of school for me, and Harry Belafonte and Sergio Mendes, they were all my universities.
Joe Sample was one of my heroes. I met him at the Curacao Jazz festival, and I fanned out like he was the Beatles!
In 1987, I had no idea who Steven Isserlis was. We met at the Spoleto Festival in Charleston, South Carolina. It was originally just an Italian summer festival, but for the past 14 years, there's also been a spring festival in America.
Lars Ulrich is not a jazz drummer, but he grew up listening to jazz. Why? Because his father, Torben - an incredible tennis player - loved jazz. Jazz musicians used to stay at their house.
Yeah, man. It's time to let de people get good herbs and smoke. Government's a joke. All dey wan' is ya smoke cigarettes and cigar. Some cigar wickeder den herb. Yeah, man, ya can't smoke cigar. Smoke herb. Some big cigar me see man wit', God bless! Me tell him must smoke herb.
Clark Gable was the only real he-man I've ever known, of all the actors I've met.
Every summer, around late July and into August, I find myself in Europe, performing at any festival that will have me.
I got to talk to people like Mel [Lewis] and Milt Hilton and Benny Carter and Clark Terry and... Jay McShann. I just found myself in some circumstances, on some gigs or sometimes in clubs, with the ability to talk to some of these people. Just being around their energy and being around that history was invaluable. And what I normally say to young people that are getting into the music, if you can and go... now there's less of those folks around, sadly.
Jazz is smooth and cool. Jazz is rage. Jazz flows like water. Jazz never seems to begin or end. Jazz isn't methodical, but jazz isn't messy either. Jazz is a conversation, a give and take. Jazz is the connection and communication between musicians. Jazz is abandon.
When I grew up in Cincinnati in 1974, the Board of Education set up the performing school, similar to the New York performing arts school, and it was in walking distance from my school.
There are three stages to a man's life. 1. He laughs at Clark Griswold. 2. He sympathizes deeply with Clark Griswold. 3. He laughs at Clark Griswold.
My favorite herb - lamb's bread. Kali. I like Hawaiian. But for some reason, you communicate better with Jamaican herb. The best Jamaican herb, it have more energy, more everything to it.
I have never met a man more shy than Clark Gable. He was so shy, you couldn't make him talk.
Clark Terry is an American Master. I love to listen to him, particularly 'Mumbles.' I was so delighted when we received degrees together, along with Edward Kennedy, at the New England Conservatory in 1997.
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