A Quote by Dianne Reeves
When I sing a song, I want someone to recognize 'Now that's Dianne singing that song.'
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I wouldn't want someone assuming that some negative song has some truth between me and my wife. There was a song that one of my buddies sent me, and it was an awesome song. It was about this woman who had fallen in love with a man that wasn't her husband, and I love everything about the song except for the fact that I personally cannot sing it. It would kill me if someone thought I was singing it about my wife.
I think it's important to be able to write stuff that's personal to you and stuff that you'll really be able to understand what you're singing about and be able to truly sing it. Because if you're singing a song that someone's written for you and you really can't relate to it, it's hard to sing that song.
I want to make people feel things when they hear my music I want to give a song to someone who is going through a break up, I want to give a song to someone who loves someone and can't tell them. A song for someone who has just fallen in love and a song for just people who are living their lives.
I sing, not to hear the echo repeat, a shade fainter, my song! I think of light and not of glory! Singing is my fashion of waging war and bearing witness. And if my song is the proudest of songs, it is that I sing clearly to make the day rise clear!
I like seeing someone that can sing jazz and then flip over and sing a pop song and then sing a rock song.
Don't sing a song you can't carry off, like some 16-year-old kid singing 'My Way'. That song's not for you. You haven't lived that.
What is certain is that singing is not merely modulating a song by means of the voice: we sing and we celebrate the beauty that we can grow and live every day. If you want to sing and give emotions to those who are listening, you must have something to tell through your singing; you have to use singing like an instrument to tell something.
Basically, I didn't want to sing anything for the sake of singing it. There were some songs where I really wailed, but because it's such an intimate space anything I chose to sing simply to make sound was going to come off an inauthentic. So I was really happy with where it landed - every song I sang, I loved for one reason or another. I didn't have to worry about selling a song.
The song 'Hymnostic' is kind of a gospel song, and that song is really fun to sing with as many people as possible. And anyone can sing it, you know?
I sang my song called "In This Song." David Foster wrote the song for me. I thought that I should sing a ballad song.
An audience will let you know if a song communicates. If you see them kind of falling asleep during the song, or if they clap at the end of a song, then they're telling you something about the song. But you can have a good song that doesn't communicate. Perhaps that isn't a song that you can sing to people; perhaps that's a song that you sing to yourself. And some songs are maybe for a small audience, and some songs are for a wide audience. But the audience will let you know pretty quickly.
Every day of my life has been a challenge - from singing a song that is not my type to being asked suddenly to sing a classical song with no practice.
Musically, though, you're a character and you're singing a song. If you're not your own character, you're the character in the song, most of the time. Even blues musicians, a lot of them who were the most realistic, at times, they were singing a song and portraying a character in the song. There's something to be said for getting involved in the emotion of a song, too, with the characters.
With a track like 'White Christmas,' everybody has done that song in every format you can imagine, so I just looked at the chords at that particular song and what chords would make it work. That's kind of quite a sad song, and I had this idea of someone singing it in the subway, someone who is homeless, old and sad.
You know, YOUR President, the one with the big ears-he ain't my President - had that woman singing for him at his Inauguration. She's going to get her [expletive] whooped. How dare Beyonce sing MY song that I been singing forever. Now I'm going to sing it for y'all.
When I first start writing a song, I usually write the title first, then the song, and I'll sing the song in my head and think of a visual of the song. If I can't think of a visual behind the song, I'll throw the song away.
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