A Quote by Dianne Wiest
I recently turned down a film that I didn't want my kids to see. Priorities shift. Sometimes I'm sad about that, but not enough to do anything about it.
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If you want a film and they don't want you, sometimes you have to go fight for it. Sometimes that ends up just being a meeting really, just sitting down with them and just saying here is my vision for it and here is why I really love it. But for the most part, I think filmmakers gravitate towards people that are excited - as excited as they are about the film and as passionate about it. So sometimes going after it isn't so much a function of auditioning as it is just sitting down with the filmmaker.
There's nothing slowing down about the shift to the cloud. I don't see anything on the horizon that is changing that.
Sometimes we get sad about things and we don't like to tell other people that we are sad about them. We like to keep it a secret. Or sometimes, we are sad but we really don't know why we are sad, so we say we aren't sad but we really are.
You only have so much time in the day. At the end of the day, you don't want to see the thing that suffers be your family, or your kids, or your home life. It's hard to balance, but that's not anything unique to us and that's probably true for most busy, active, working parents. You know, it's just about finding time, it's about balance, it's about walking the line and making sure you're keeping your priorities in order.
To create anything — whether a short story or a magazine profile or a film or a sitcom — is to believe, if only momentarily, you are capable of magic. These essays are about that magic — which is sometimes perilous, sometimes infectious, sometimes fragile, sometimes failed, sometimes infuriating, sometimes triumphant, and sometimes tragic. I went up there. I wrote. I tried to see.
A good horror film is something that taps into something absolutely truthful about us - about what we want, about what we're terrified of - and brings that to life on screen in such a way that we can get close enough to that character to let our defenses down and want them to be safe.
There are just certain things you can't talk about with kids. I just totally do not believe in this sort of Bart Simpson character who infects so much of our literature and film and TV stuff nowadays, these know-it-all kids who seem to understand the hypocrisy of the adult world so thoroughly and can talk about it with such articulateness. That's bunk. Kids are kids; they're innocents, they really are. For a long time, no matter what they see, no matter what they're exposed to, they can't get it until they have developed enough.
I never talk about anything Hollywood or about politics. I will talk about how concerned I am about funding for Planned Parenthood, and how very sad it makes me when I see anything about children being separated from their parents.
I don't come from a film background. I haven't learned anything about films or film-making. But I have a thirst to know everything about my profession. I want to learn about cinematography, about editing, about music recordings, about post-production. So when people in the know talk, I willingly listen.
I'm sure my priorities will change. My mother was such a great mother and is still such a big part of my life. I want my kids to feel that way about me. I want to be in their lives. I
don't want to be away a lot, so I'm sure I'll slow down. But there are so many amazing people who do both.
We want to bring the kids, the parents, the grandparents and grandkids together, we want them to have a shared viewing experience. We want the kids to talk about it in the playground, dad to talk about it down the pub, grandma to talk about it while she's out shopping.
I don't care about anything but you, and that's enough for the present. I want you to be happy--not to think of anything sad; only to feel that I'm near you and I love you. Why should there be pain? In such hours as this what have we to do with pain? That's not the deepest thing; there's something deeper.
My role as goodwill ambassador has made my work as a film star relatively dull. I can`t find anything that interests me enough to go back to work. I`m simply not excited about anything. I`m not excited about going to a film set.
For me, I just want to feel great. But carrying the extra pounds started to weigh me down - literally. I want to encourage moms to feel good about themselves. I think it's important to empower ourselves. We have kids and we love our kids. But we still have ourselves. And I want to feel like the best version of myself. That's why I turned to Nutrisystem.
I'm not interesting enough on my own that you'd want to see a film about me.
I don't think anything has changed about me but my priorities have changed. At one point I was living my life and I didn't see a direct correlation between who I was affecting with my actions. I'm not as reckless, I'm probably not as fun or funny. I've turned to my dad's sense of humor. I think that having a family has put a lot more focus on what I do.
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