A Quote by Dick Cavett
The Nixon administration kept a nasty eye on our show... Cops would come by - often just in time to see the act they wanted to see.
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I think that ties into our name and the meaning behind our name, going Against the Current. We don't really want to fit in to one section. If we're able to be grouped into one category then we've become something that already exists, probably. We want all of those kids that would come out to that pizza shop to come to our show and all of those kids who know us from the radio to come to that show. We have kids that come to our show that have been coming to concerts for years, and ones that it's their first concert and they just wanted to see it. I think that's the best way to do it.
People don't come to see a Billie Eilish show to come to see me. They come to see her. So I just try not to screw up too much on my instruments.
We wanted to see this country win the war just as much as those advisors did. We felt we would help to do that by reporting the truth. And so there was the moral outrage over this general and the ambassador in Saigon who kept denying the truth we would see.
People do not come to a Penn & Teller show to see a magic show. They just don't. They come to see weird stuff that they can see no place else, that will make them laugh and make the little hairs stand up on the backs of their necks.
It's important that people come see our show, because we are performers. We wanted people to see that.
I would love to have the biggest band that I can have. I'd love to put on a massive show and just give people their money's worth, then just come away from it thinking, 'That was a good show', because it's kind of disappointing sometimes when you go and see someone and you can see they're not that bothered.
What teachers and the administration in that era never seemed to see was that the mental work of what they called daydreaming often required more effort and concentration than it would have taken simply to listen in class. Laziness is not the issue. It is just not the work dictated by the administration.
Every time I hear about a new show, and I see a show that is being created that is nothing like I've ever thought about, I just get so excited about that expansion. Because I started working when 'L.A. Law' was on. It was lawyers and cops.
The only time I would like to see was the 20s and 30s in America because I love the music and the style and the optimism, I wanted to see New York being built. I wanted to see all that, you know.
The camera is not only an extension of the eye but of the brain. It can see sharper, farther, nearer, slower, faster than the eye. It can see by invisible light. It can see in the past, present, and future. Instead of using the camera only to reproduce objects, I wanted to use it to make what is invisible to the eye - visible.
I auditioned [for America's Most Talented Kids] just to see where I would rank. I had been playing [gigs] around town, and I wanted to see what people thought of me because when I played a show, everyone would clap but I didn't know what they were really thinking.
Should I tell you one thing, I am blind from my right eye. I see only from my left eye. The one you see is someone else's eye which was donated to me after his death. If I close my left eye, I can see no one.
I am the owner of my choices. I am the source for the perspectives I choose to hold regardless of how aware I am of why or how I come to possess that particular perspective. It takes courage to look into the mirror of our souls, absent excuses. I will look into that mirror little bits at a time. SEE and ACT. SEE what I can bear to see and ACT upon what I am able. This is the heart of a gentle invitation to personal responsibility.
We can't pick out certain incidentals that don't go our way and act like the cops are all bad... Do you know how bad some of these neighborhoods would be if it wasn't for the cops?
Some people see ESPN. They see the long shots. They see me scoring the basketball, but they don't show often too many assists - and I've been doing that my whole career, being able to get the ball to the guy at the right time.
I can act with either eye, but you've got to be twice as good as an actor to act with one eye. You need to put all your emotions just through one eye and really punch it out of that eye. I found it quite difficult to do at first, and then I found a technique that allowed me to act with one eye, which I patented.
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