A Quote by Dick Cavett
Obviously those who burn to be professional jesters mean that they want to be successful comedians. And those are always an elite, microscopic portion of the population. But oh, how they try.
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I try not to be mean for the sake of being mean, and if I do do a joke or a tweet or something that is at someone's expense - and those are my fine lines; obviously they're there - I want it to be something that's pretty much across the board we all as a society agree this is bad.
After the comedy boom of the '80s, there was a certain formula that comedians had to do and could do in order to be successful touring comedians, and those were mainly observational comedians who had a very strict structure of what made an act, and I think it was very performance oriented.
You're trying to improve every year. And you're trying to make improvements on what you learn about yourself, when you're successful or struggle. You try to minimize those stretches. And you realize what you do when you're successful, and you try and lengthen those.
It's really not my thing to go after what comedians are doing. Because I always feel like we're jesters at the end of the day.
I'm not a historian, and I wouldn't want to be. I want to change the world. Attack the elite. Overturn the hierarchy. Look at my stories and you'll notice that the villains are always, always, those in power. The heroes are the little people. I hate the establishment. Always have, always will.
I would love to do a serious period drama. Oh, absolutely. I mean, you'll find most comedians want to do more serious stuff, most musicians want to be comedians, and most serious actors want to be musicians.
Socialism and communism are set up so that a select few elite get most of everything and the rest of society is equally miserable in poverty and oppression. So if you can be in the ruling party elite, socialism, communism, you've got it made. That's less than one half of one-tenth a percent of the population in those countries.
Remember, then, that whoever does not mean good is always in danger of harm. But I try to give everybody fair play, and those that are in the wrong are in far more need of it always than those who are in the right: they can afford to do without it.
Do you wanna be a poet and write? Do you wanna be an actor up in lights? Do you wanna be soldier, and fight for love? Do you wanna travel the world? Do you wanna be a diver for pearls? Or climb the mountain, and touch the clouds above? Be anyone you want to be. Bring to life your fantasies. But I want something in return, I want you to burn, burn for me, baby. Like a candle in the night. Oh burn, burn for me, burn for me.
I knew nothing about professional comedians when I became a comedian. I was a rabbi. So I had no professional comedians to learn from.
Obviously it's how bad do you really want to be successful, essentially. Like, what does that really mean to you? Why are you doing it?
It would be well for those interested to reflect whether there now exists, or ever has existed, a wealthy and civilized community in which one portion did not live on the labor of another; and whether the form in which slavery exists in the South is not but one modification of this universal condition... Let those who are interested remember that labor is the only source of wealth, and how small a portion of it, in all old and civilized countries, even the best governed, is left to those by whose labor wealth is created.
You grow up loving movies, and your first instinct is you want to be an actor, because those are the people you see in the movies. But when you actually become an actor, you're like, 'Oh, wait, this is actually only a small portion of the storytelling. If I want to really tell a story, I'd want to be a director.'
Those are the films I want to make. I don't want to make a film about, "Oh, those poor prostitutes!" Or "Oh, isn't it terrible in Chicago!" I want to make a film where people think, "Brenda's like me!"
Those in public office who do not love the people are thieves stealing salaries. Those who teach but do not themselves practice what they teach are mere talkers. Those who try to do successful work without considering development of character will find it insubstantial.
I try to be careful not to put the cart before the horse. I try not to create comedy for other comedians to like. I want everybody to like it. I want audiences to like it, but I also want comedians to like it. I'm selfish. I want everybody to laugh!
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