A Quote by Dick Cavett

You have to be on TV a surprisingly long time before you're stopped on the street. Then, when you are, you get a lot of, 'Hey, you're great! What's your name again?' — © Dick Cavett
You have to be on TV a surprisingly long time before you're stopped on the street. Then, when you are, you get a lot of, 'Hey, you're great! What's your name again?'
I've never really broken this down before, but, in movies, you almost have no connection to fans. And if you do TV, you're kind of connected, but they know you as the TV name not your real name. If you do radio, there's more of a bond there. And then if you do a podcast it's like you're literally inside of your fans.
You see, Momo... it's like this. Sometimes, when you've a very long street ahead of you, you think how terribly long it is and feel sure you'll never get it swept... And then you hurry. You work faster and faster, and every time you look up there seems to be just as much to sweep as before, and you try even harder…, and you panic, and in the end you're out of breath and have to stop-and still the street stretches away in from of you.
I've had sex before with the belt on. That was back in the Ricco Rodriguez days. The night I won the belt I had a sexual experience with the belt on. But hey, I was 25 years old and it was the biggest thing that ever had happened to me in my life. The girl was like hey, are you going to take that thing off. And I said no, I'm not...I'm wearing it and if you have a problem with it, then I'm leaving. And I hate to say it, but if I do win the belt again, then this time it's never coming off. I'm going to wear it a lot more.
I locate a great deal of the power of Occupy Wall Street in the name itself, 'Occupy Wall Street,' or '#OccupyWallStreet.' It works because the name contains everything you need to know: the tactic and the target. The name is also modular. You can create your own offshoot in your own city.
There's people that have labored and labored and it takes them a long time before they get that break and then they get it. Then sometimes, I've seen guys with a lot of talent never get it. It's the nature of the beast.
I was, like, "Wow, is this ever going to happen again? Am I ever going to work with another bunch of people I get along with this well?" And then, sure enough, Threshold was just a great bunch of people, and I thought, "Hey, I could hang with these people for a long time!" But, unfortunately, it was 13 episodes and we were out of there.
Your street, rich street or poor Used to always be sure, on your street There's a place in your heart you know from the start Can't be complete outside of the street Keep moving on through the joy and the pain Sometimes you got to look back To the street again Would you prefer all those castles in Spain? Or the view of your street from your window pane?
'Batman' took 10 months to film, and by the time I stopped working on it, it took a long time before my English accent came out again. I was actually having to try for it.
A lot of the TV shows, they do long hours, and they do a lot of days, and you don't get a lot of time. But the good thing is, if you get one that's made in L.A., or made in a place you want to be, you get to go home every night.
Name ten songs you want to hear again before you die, get all of your friends together and scream them. Because right now all you have is time, but someday that time will run out. That's the only thing you can be absolutely certain about.
I come from the Midwest, from the suburbs - growing up hanging out at the mall and looking at the corn fields across the street. I kind of was embarrassed by it for a long time. Then I decided, 'Hey, if everyone else can embrace their homeland and where they're from, I can do the same!'
I think that the idea of finding another person to share your life with is the most fascinating, beautiful quest you could ever be on in life. And yes, living your dreams is so important too, and a lot of times I’ve put that before everything else. But then you get to a place where the whole time you’re living these dreams, you look beside you to say to someone, “Hey, isn’t this so much fun?” And if there’s no one there to say it to, what’s the point?
Well I grew up in Canada in a really small town. We didn't have running water for a long time and we didn't have TV. Then when we did get TV we only had one channel.
Our region is going to be in chaos for a long time, ... The media's not playing it up to make it seem worse than it is. The reality is that it's as bad or worse than what you're seeing on TV. It's going to take a lot of help from a lot of people to get everybody back to living a normal life again.
The British model, which I've always thought was great, is that you do a TV show and then they sell it. Then you can buy it at the video stores forever, so it never went away. But American TV used to be if you had a show and it got cancelled, then it never existed. It was just this thing you heard about and you couldn't see it again. There is something so great about shows getting released and people getting to watch them over and over again. It definitely takes the sting out of it.
A lot of people in their 30's get nostalgic for their teen years. Then they get jobs in TV, become bitter and jaded and prematurely old. Then they turn their nostalgia into great television.
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