A Quote by Dick Clark

Between Alan Freed in Cleveland and Bob Horn and Lee Stewart in Philadelphia and George 'Hound Dog' Lorenz in Buffalo, they began to find out that white kids liked black music. It was a very significant period of time before I got there.
If a dog is biting a black man, the black man should kill the dog, whether the dog is a police dog or a hound dog or any kind of dog. If a dog is fixed on a black man when that black man is doing nothing but trying to take advantage of what the government says is supposed to be his, then that black man should kill that dog or any two-legged dog who sets the dog on him.
I had written a tune called 'Shake, Rattle and Roll,' but the white stations refused to play it - they thought it was low-class black music. We thought what we needed was a new name. But a white disc jockey named Alan Freed laid on it, and he thought up the name 'rock n' roll.'
When we got with George, he didn't care what was happening. He liked how crazy we were looking and dressing. I kinda liked being with George more so at the time, because George let us do what we wanted to do. But I needed both lessons.
One of my favorite albums is Bob Gibson and Bob Camp, 'At the Gate of Horn.' It was a really dynamic album, almost like The Beatles, and way before its time... around 1960 or so.
Abraham Lincoln freed the black man. In many ways, Dr. King freed the white man. How did he accomplish this tremendous feat? Where others - white and black - preached hatred, he taught the principles of love and nonviolence.
I have black friends, but I don't just hang out with black kids. I might pull up with Indian kids, white kids, black kids, whatever.
Ahh, my heart fell down when I began to see dead buffalo scattered all over our beautiful country, killed and skinned, and left to rot by white men, many, many hundreds of buffalo. ... Our hearts were like stones. And yet nobody believed, even then, that the white man could kill all the buffalo. Since the beginning of things there had always been so many!
Paint pictures with sound. First, find your white-the deepest, roundest sound you can play on the guitar. Then, find your black-which is the most extreme tonal difference from white you can play. Now, just pick the note where you've got white, pick it where you've got black, and then find all those colors in between. Get those colors down, and you'll be able to express almost any emotion on the guitar.?
The hounding of a dog pursuing a fox or other animal in the horizon may have first suggested the notes of the hunting-horn to alternate with and relieve the lungs of the dog. This natural bugle long resounded in the woods of the ancient world before the horn was invented.
In music, the Specials brought a city, Coventry, bombed out for a second time and riven with racism, to a celebration between black and white musicians and their music.
I got hooked into folk music by accident, because that's what white college kids liked when I was a child.
I got hooked into folk music by accident, because that's what white college kids liked when I was a child
I always give the example, if you turn on the radio today, black radio, Lenny Kravitz is not black. Bob Marley wasn't black: in the beginning, only white college stations played Bob Marley.
I used to go to the Cleveland Comedy Club all the time. If there was a comic I liked, I'd go see him two or three times that week. Bob Saget was one of those guys.
When George Bush Senior [George HW Bush] was getting his alliance together to go into Iraq - to kick the Iraqis out of Kuwait - he rang me up. I was very close to George Bush Senior; I got to know him well as Vice President to Ronald Reagan. And George rang me up and said, "Oh, Bob," he said, "I'm having trouble with Brian [Mulroney]." He said, "He's got a big wheat trade with Iraq, and he doesn't want to upset that." I said, "You leave it with me."
Chuck Berry's 'Maybellene' hit the airwaves at about the time Alan Freed got to New York, and it was definitely a song I really loved and related to.
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