A Quote by Dick Dale

Surf music is actually just the sound of the waves played on a guitar: that wet, splashy sound. — © Dick Dale
Surf music is actually just the sound of the waves played on a guitar: that wet, splashy sound.
I wasn’t thriving socially, so I stayed in my room and played guitar all the time, at the time, I thought I was inventing a new sound that would change the whole outlook of music. I’ve discovered in the last few years that it was just the Seattle Sub Pop sound.
When we sit in meditation and hear a sound, we think, 'Oh, that sound's bothering me.' If we see it like this, we suffer. But if we investigate a little deeper, we see that the sound is simply sound. If we understand like this, then there's nothing more to it. We leave it be. The sound is just sound, why should you go and grab it? You see that actually it was you who went out and disturbed the sound.
The Marshall guitar amplifier doesn't just get louder when you turn it up. It distorts the sound to produce a whole range of new harmonics, effectively turning a plucked string instrument into a bowed one. A responsible designer might try to overcome this limitation - probably the engineers at Marshall tried, too. But that sound became the sound of, among others, Jimi Hendrix. That sound is called electric guitar.
If sound is music and came from silence, then silence is potentially greater than sound. If the sound is effective, it should actually have a chemical - some sort of physiological - effect on the listener, so he doesn't have to hear that sound again.
I was just a music lover who wondered what it would sound like if Otis Redding strapped on a guitar and played in a punk band. That's it.
I was just a music lover who wondered what it would sound like if Otis Redding strapped on a guitar and played in a punk band. Thats it.
If you make it sound too much like a synth, it will just sound like a guitar part played on a synth.
The guitar to me, from the classical/gut-string guitar right through to Hendrix, et cetera, has all the range [of sound]. Within those six strings it is incredible what one can get sound-wise. It's just down to imagination, really.
The magic that you find in surf music, I think, is really timeless. You know, when I was very young, I was in a surf band. Surf music is an instrumental music that still means a lot to me, not in an nostalgic way, but as something that really gets to the heart of the guitar itself.
I think I could walk into any music shop anywhere and with a guitar off the rack, a couple of basic pedals and an amp I could sound just like me. There's no devices, customized or otherwise, that give me my sound.
Surf music is played through a Showman amp with a Stratocaster guitar.
Michael Bloomfield was the antithesis of a collector ... he didn't care how old a guitar was; all he wanted was something that sounded good when played it ... and he cared nothing about the collectibility of an instrument ... his philosophy was "A good player can make any guitar sound good" ... to Michael, a guitar was just a tool.
Don't be precious about anything-much less a certain guitar sound. There is always another interesting sound or effect just waiting to be discovered.
There are a lot of similarities between music and surfing. There's a rhythm to both of them and with sound waves and ocean waves, you see patterns, plus the breathing is all part of it.
I tend to like the traditional sound: three-part harmonies, guitar, and piano. I mean, a well-played guitar is a joy forever... or something.
Ministry of Sound was actually the first club I ever played in the UK, it must have been around 1993. Being invited to play was a big thing and visited many times since - The Gallery always has a great crowd, great sound system and just a great night.
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