A Quote by Dick Dale

I have all the rhythm in my left hand, and I use the rhythms that Gene Krupa did on his drums. — © Dick Dale
I have all the rhythm in my left hand, and I use the rhythms that Gene Krupa did on his drums.
I thought of Gene Krupa's drumming, his staccato drumming. I went and put 'Misirlou' to that rhythm.
Gene Krupa was my big hero, and I used to play on my mother's flour cans and sugar cans with the kitchen knives, listening to the big bands on my dad's records. Gene Krupa and Harry James.
Rhythms, beats, etc., are fundamentally central to my creative drive: my first instrument was the drums, nearly every band I have been involved in or at the helm of, is driven by rhythm, my band is driven entirely by rhythm, machine rhythm, and the purpose of the rock instrumentation is literally to speak the beats, to emulate the rhythms with guitars and bass, with very little articulation, and without being 'progressive'.
I think at one time every drummer wanted to play like Krupa or wanted to win a Gene Krupa drum contest. This is the big inspiration for drummers and naturally it has to be the same way for me.
I based my tuning on Gene Krupa, Buddy and Joe Morello. I knew how I wanted the drums to sound and we did the best we could with a beat up Ludwig kit. I spent a lot of time around drummers learning how to get sound. I knew the sound I was after and what would work for what we were playing.
My left hand is my thinking hand. The right is only a motor hand. This holds the hammer. The left hand, the thinking hand, must be relaxed, sensitive. The rhythms of thought pass through the fingers and grip of this hand into the stone.
Maradona, if the ball came from his right, he would turn and would use his left foot, because he did not use his right. But he did use his right hand.
When I started rhyming, my favorite rhythms were from John Coltrane and some of the things he did on sax. And certain rhythms that I hear on drums, I try to emulate with my words, dropping on the same patterns that them beats or them notes would hit.
Krupa's drums went through us like a triple bourbon.
I think everything that I've ever played has somehow trickled down from Gene Krupa.
One that really caught me was Joe Morello. He was the first drummer I ever saw that could do a roll with one hand. He would turn his hand over and use his fingertips to get the stick bouncing. He could sit there with his right hand doing stuff on the cymbals and tom-toms while he was doing a roll with his left on the snare drum.
I was born left-handed, but I was made to use my other hand. When I was writing 'Famished Road,' which was very long, I got repetitive stress syndrome. My right wrist collapsed, so I started using my left hand. The prose I wrote with my left hand came out denser, so later on I had to change it.
My father left a bit of his life with me. He gave me a gift, as did so many other wrestlers, like Mike DiBiase, Bob Geigel, Verne Gagne and Gene Kiniski. They all left me with something.
When I was a boy, I used to pull a big cross saw with my dad. He'd use his right hand, so I'd have to use my left.
I think that drummers have come a long way, but they haven't forgotten players like Gene Krupa, or the other jazz players.
It [music] has an awakening function. Life is a rhythm. Art is an organization of rhythms. Music is a fundamental art that touches our will system. In Schopenhauer's The World as Will and Idea he speaks of music as the sound that awakens the will. The rhythm of the music awakens certain life rhythms, ways of living and experiencing life. So it's an awakener of life.
This site uses cookies to ensure you get the best experience. More info...
Got it!