A Quote by Dick Gephardt
I don't think you can be a good listener unless you're a good listener. I think it's something that you really have to do, and if you really do it, then you can do it. If you don't do it, then you can't do it.
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The best thing I could say is you do have to be a really good listener. If I go to a family reunion, and there's 400 people there, everybody comes up and tells me their stories, right? And I think that when you're a good listener, and you can imagine how someone's talking, dialogue is your key friend, is it not?
I'm very thankful, hearing impairment or not, that I've brought listening into my life. I will never say that I'm a good listener, however. Thinking that I was a good listener was one thing that kept me from being a good listener. It's a very dangerous thought. I just want to be better.
I think, to be a great conversationalist, you need to be interested in being in said conversation. Oddly enough, I think you need to be a great listener, and I do think I'm a good listener. I think that's my asset - I always listen to people when I talk to them, and that's a big thing you have to have in life and in podcasts.
A good listener is not someone with nothing to say. A good listener is a good talker with a sore throat.
I think one of the things I really learned in Denver is the value of being a good listener.
You gotta make sure the listener is listening to you, so if you put it into a song, often times, if the song is striking enough, then you can really deliver the story most effectively while keeping the ear of the listener the whole time.
I love what I do. I love getting to talk with these people, and I feel like I'm learning something every day. You also have to be a really good listener, which I think is an underestimated skill.
I feel the first ten years of my career I really didn't care what the director said because I felt so arrogant. I was so certain about what should happen. But then I became a good listener.
Writing original songs is much, much harder (I think) because you only have yourself to conjure up EVERY single moment a listener is going to hear. It's a craft that goes directly from your brain to their ears. You can never be sure that what you're writing is gonna be good enough to keep a listener engaged and truly experience something. It's a shot in the dark.
The challenge for a good musician is to bring out compositions that seem fresh to the listener, even if the listener has heard the song or the composition before.
I'm not sure it's a better music world of appreciation and performance. I think the listener is a different guy, and listening is something he does in passing, with other stuff going on. There's less care and understanding of the relationship between the song and the listener.
I'm a good listener. I think it's the one characteristic that's most important. I've always been that way. Not that I take all the advice, but you've got to listen to it and have the courage to make your own decision. Then I just go for it.
I really believe that a good decorator is a good listener. So the inspiration always is the people that are living in that home.
When I was speaking about communicating, I meant that the listener - we have to reach the listener; otherwise, of course, you're writing the piece, as I say, only for the satisfaction of seeing it on the paper for yourself, and then it ends right there.
I haven't done it by myself at all. I've been surrounded by a really, really good crew of all ages. I think it's important to have a good age range in the crew so that some of us have experienced that period, or something close to that. But the script, of course, is really inspiring and you just have to trust that. Sometimes on film a glass can be as big as a car, so if the details are right, then they take up as much space on screen as the streets that we didn't have a chance to show as London really has changed since then.
When I speak of the gifted listener, I am thinking of the nonmusician primarily, of the listener who intends to retain his amateur status. It is the thought of just such a listener that excites the composer in me.
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