A Quote by Dick Gregory

Black folks tell their kids they have to be twice as good as a white person? Well, if I tell a child of mine that, or that they have to be careful - that this is what a cop would do if you do this - they think something is wrong with them. I tell them death is better.
If you're a coach, and you don't have trust with players, you've got no chance, and your credibility is zero. And that's why it's so important to tell them the truth. If you have something that you're upset about, tell them the truth. If they're doing something wrong, tell them the truth.
We’re suggesting that [kids are] missing something if they don’t read but, actually, we’re condemning kids to a lesser life. If you had a sick patient, you would not try to entice them to take their medicine. You would tell them, ‘Take this or you’re going to die.’ We need to tell kids flat out: reading is not optional.
With the artists, I don't teach, I coach. I can't tell them how to make art. I tell them to make more art. I tell them to get up early and stay up late. I tell them not to quit. I tell them if somebody else is already making their work. My job is to be current with the discourse and not be an asshole. That's all I wanted in a professor.
How do people come up with a date and a time to take life from another man? . . . Twelve white men say a black man must die, and another white man sets the date and time without consulting one black person. . . . They sentence you to death because you were at the wrong place at the wrong time, with no proof that you had anything at all to do with the crime . . . . Yet six months later they come and unlock your cage and tell you, We, us, white folks all, have decided it's time for you to die, because this is the convenient date and time.
Remember: when people tell you something’s wrong or doesn’t work for them, they are almost always right. When they tell you exactly what they think is wrong and how to fix it, they are almost always wrong.
To talk about something like prostitution, the other person then becomes the wild card that will have a response, and it may not be the response you want. Sometimes I think saying it would be selfish to tell them is still being under the illusion that you have all the power. You say it would be selfish to tell them, when in fact you're scared that in telling them, it gives them the power to do what they might want to do because once they know, they become somebody who could be reactive.
Tell my daughter Elizabeth -- no! Tell all my daughters, everywhere, in all the ages yet to come. Tell them how I died, and why. And tell them to remember this: the future is unwritten. Know your rights.
Some people have a knack, for example, of being able to tell when someone's lying to them. They may not know what the truth is, but they can tell when someone is trying to lead them astray or sell them something shady. I think he had that ability to an amazing degree. I also think he thought, without saying it explicitly, that you can convince a crowd of something that's not true more easily than you can one person at a time.
I look for a great story. One that I would like to watch, or tell, or that I think needs to be told, because I know that, as an actress, I have a responsibility to tell certain stories and to tell them properly.
We must begin to tell black women's stories because, without them, we cannot tell the story of black men, white men, white women, or anyone else in this country. The story of black women is critical because those who don't know their history are doomed to repeat it.
Having been an actor in Hollywood for a certain amount of time, I always felt a pressure to be sort of a neutral person. 'Don't do anything to your hair. Don't tell them your age. Don't tell them you're gay. Don't tell them anything that could limit you, specify you as a person.' I always hated that, actually moved out of L.A. because of that.
I don't like to be overly directing people either. I tell them what I want and I tell them when it's wrong. I tell them no, that's not what I want. I want it more like this or more like that. I'm pretty direct with everyone, and I treat everyone the same which might be good.
I don't think it is wrong when you - when an actor goes and sells his film. I mean, it's salesmanship; you got to tell the world what you have. You got to tell them, 'These are my wares; please see how do you like them. If you like to buy them, please buy them.' There's nothing wrong in that.
I don't know whether to admit it or not. You think I should tell them, Snerdley? Okay. Folks, some good friends of mine who live here in Palm Beach bought a Smart Car... and there's a picture of me in it.
Tell them stories. They need the truth you must tell them true stories, and everything will be well, just tell them stories.
During the last decades, films about the black experience have been produced, directed, and even scripted by white men. Some of them are excellent. But most reflect George Bernard Shaw’s warning that 'if you do not tell your stories others will tell them for you and they will vulgarize and degrade you.'
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