A Quote by Dick Gregory

Why are black folks singing Amazing Grace which is a song about a white slaver's conversion? — © Dick Gregory
Why are black folks singing Amazing Grace which is a song about a white slaver's conversion?
White folks needs what black folks got just as much as black folks needs what white folks got, and we's all got to stay here mongst each other and git along, that's what.
A song like 'Kilimanjaro,' which is such a fun, entertaining track... Singing the song was an amazing experience.
I've seen a lot of Black content creators calling for white folks to stop using the voices of Black folks to make TikToks because it's like digital blackface. That's valid.
It's true that eviction affects the young and the old, the sick and the able-bodied. It affects white folks and black folks and Hispanic folks and immigrants. If you spend time in housing court, you see a really diverse array of folks there.
A lot of racism going on in the world right now. Who's more racist? Black people or white people? Black people. You know why? 'Cuz we hate black people too! Everything white people don't like about black people, black people really don't like about black people.
We Logans don't have much to do with white folks. You know why? 'Cause white folks mean trouble.
Why is it so difficult for many white folks to understand that racism is oppressive not because white folks have prejudicial feelings about blacks (they could have such feelings and leave us alone) but because it is a system that promotes domination and subjugation?
There's no reason why you can't say "August Wilson, playwright" even though all of my work, every single play, is about black Americans, about black American culture, about the black experience in America. I write about the black experience of men, or I write about black folks. That's who I am. In the same manner that Chekhov wrote about the Russians, I write about blacks. I couldn't do anything else. I wouldn't do anything else.
[...] the only folks who kill black folks any more are black folks. [...] black folks kill more black folks than the KKK ever did.
My favorite song? 'Amazing Grace.' Anybody singing it. But the best it'll ever be done is by the Scottish National Pipe band and their National Orchestra. It'll bring tears to your eyes.
The problem is Silicon Valley, which is an amazing ecosystem, also ends up being an amazing bubble, with white guys talking to white guys about white-guy problems. So it's great, but you kind of miss a lot of things around you.
I know my destiny. I was born into animosity, bigotry and hatred. We had water for white folks, and water for coloured folks. White lines, black lines. I came from Beaufort in South Carolina, and it was tougher than Georgia, Alabama and Mississippi.
The interesting thing about white power and the desperate white knuckling grip on this thing call whiteness, which is a myth in itself, is that black folks... we're not asking you to invent new laws for us. We're asking you to include us in the laws that are already on the books.
That's why for Zakk Wylde's Black Label Society the colors are black and white. There are no gray issues. Life is black and it's white. There's no in-between.
White folks have controlled New Orleans with money and guns, black folks have controlled it with magic and music, and although there has been a steady undercurrent of mutual admiration, an intermingling of cultures unheard of in any other American city, South or North; although there has prevailed a most joyous and fascinating interface, black anger and white fear has persisted, providing the ongoing, ostensibly integrated fete champetre with volatile and sometimes violent idiosyncrasies.
It's one thing having a great song, but I think for me if you take it to the next level... say you had a guitar and a vocal, and the song was amazing but the vocalist wasn't that great and it just was a guitar and vocal acoustic track, switching that to something like an amazing voice singing the exact same song with the instrumentation being really nice and lush or unique in some way and interesting and diverse... I think it's all about the instrumentation and textures in the sound.
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