A Quote by Dick Gregory

You know why Madison Avenue advertising has never done well in Harlem? We're the only ones who know what it means to be Brand X. — © Dick Gregory
You know why Madison Avenue advertising has never done well in Harlem? We're the only ones who know what it means to be Brand X.
[Hillary Clinton] spent hundreds of millions of dollars on an advertising - you know, they get Madison Avenue into a room.
The problem of how to make the Internet advertising friendly bewildered and obsessed Madison Avenue for much of the 1990s. Advertising won.
They say that Madison Avenue will only pay high dollars in advertising if they get the 18-35 age range.
In this day and age, love is temporary and marriage is unnatural--the product of Madison Avenue advertising executives and television producers.
I used to know Madison Avenue advertisers. I didn't like 'em. Bunch of jerks.
The 1960s was probably the first time in history that young people were recognized as a big group of consumers and as a commercial proposition for Madison Avenue. Advertising played a major role in creating the ethos of that era - the idea that, "Here it is, and you can have it now." I know that many kids thought that the ethos of the 1960s was due to their own peculiar virtues, but, in fact, it had a lot to do with the realities of the marketplace and commerce.
If Madison Avenue advertising executives were to pick a song that would best represent America, the last one they would choose is 'The Star Spangled Banner.'
Consumers know precisely what's wrong with advertising. Be it TV or print or whatever, they know that advertising is never creative enough ... never as witty, inspiring, sophisticated, entertaining and downright likeable as they would like it to be.
Madison Avenue is full of masochists who unconsciously provoke rejection by their clients. I know brilliant men who have lost every account they have ever handled.
'Park Avenue: Money, Power and the American Dream' is an intentionally angry film. How could it not be when the chance of an infant dying is five times greater on the Bronx Park Avenue than on Manhattan's Park Avenue just across the Harlem River?
Politics is not really politics any more. It is run, for the most part, by Madison Avenue advertising firms, who sell politicians to the public the way they sell bars of soap or cans of beer.
I see no reason why the artistic world can't absolutely merge with Madison Avenue. Pop art is a move in that direction. Why can't we have advertisements with beautiful words and beautiful images?
I relate to what Gov. Romney brings. I know what it means to balance a budget. I know what it means to write a paycheck and not only cash one. I know what it means to create a job, and I know what it means to struggle with my business every day in terms of keeping our doors open any day but definitely in a difficult economy.
There's not usually one reason why we do anything and, in fact, often we don't know why we've done what we've done, especially what we have said or why, for instance, in conversation, which can be very tricky. Finally, we say something and think, "Why did we say that?" In retrospect we might know.
I got a job as a children's librarian at PS 175 in Harlem, and that changed everything. That was an epiphany. I didn't know Harlem existed. I didn't know there was such a place, because I grew up in white Queens, where five miles is 100 miles.
You never know when what you do in the arts means something to people, and you never really know if you've been received well.
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