A Quote by Dick Motta
A coach has to worry not so much about creating motivation, esprit de corps, as about destroying it. The true competitor has it; he wouldn't be a star if he didn't. So you have to mold all these egos together and make sure in your selection of people that you don't destroy the feeling of togetherness or morale, because it is a fragile thing.
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DESTINY is a feeling you have that you know something about yourself nobody else does. The picture you have in your own mind of what you're about WILL COME TRUE. It's a kind of a thing you kind of have to keep to your own self, because it's a fragile feeling, and you put it out there, then someone will kill it. It's best to keep that all inside.
Morale is the state of mind. It is steadfastness and courage and hope. It is confidence and zeal and loyalty. It is élan, esprit de corps and determination.
I have so much to grapple with, I don't think too much about me. People call it the "dance of a thousand egos" when you make a movie. If only I had time to worry when I was making a movie about what the hell I was doing. It's sort of a marathon every day. And then at the end of it, you beg the producers for five more marathons.
My advice to actresses is don't worry about your looks. The very thing that makes you unhappy in your appearance may be the one thing to make you a star.
Don't worry about motivation. Motivation is fickle. It comes and goes. It is unreliable - and when you are counting on motivation to get your goals accomplished, you will likely fall short.
The coaches don't have to worry about me not training. The coach is usually there to make sure I'm not over trained.
Puja brings lots of things together and it isn't just about the religious aspect. Blessings from elders, family-bonding, togetherness... it's about all that. It's also about colors, grandeur and people coming together.
Although I don't get the parts in films or other television shows that would be befitting of a huge, international star, I don't have to worry about walking around on the street or eating at a restaurant. Occasionally, you do get recognized a little bit. And that's fine. Most people are pretty cool about it. That's the thing - it's such a low-key thing that I can still enjoy it and not worry about it.
God wants your ministry to flow from the realization that you are a beloved child of God. In that place you don’t worry too much about how people see you. You don’t worry too much about whether they’re nice or mean. You don’t even worry about whether they love you or hate you. You don’t worry because you’re simply going to love them and love Him. This comes from knowing who He is and what He thinks of you. This is what it means to grasp you are a child of God.
You don't spend twenty years of your life in the service and not have a warm, nostalgic feeling left in you. It's a small service, and there's a lot of esprit de corps.
As a director the first level of management is people. You have to deal with about 100 creative egos and make sure they subscribe to your vision and give you their best.
I fear that our true motivation is about oil and our own flailing economy; about the failure to destroy Al Qaeda and about revenge.
I didn't have to fit into a mold. You make the mold. People can smell a rat. If you're doing thing for marketing and for a record label, you're going to set yourself up to be called a phony. As long as it's true to you, you do it.
Any coach out there that wants to lose, you make sure they put raisins in the breakfast oatmeal. You'll go down, don't worry about that.
I was never a "big thinker". One of my philosophies in Linux has always been to not worry about the future too much, but make sure that we make the best of what we have now - together with keeping our options open for the future and not digging us into a hole.
Once you are shooting a movie, even if it's your own script, you have to let it go at a certain point. That's true for every film. It breaks up into phases where the thing that you have in front of you is the thing you have to address, and you can't worry about what you imagined a scene was going to like and that it came out differently, because that's what you have to make work.
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