A Quote by Dick Stuart
Isn't it odd? A guy bats .301 and has 35 homers. Then everybody starts to tell him what a good fielder he has become.
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If a girl starts out all casual with a guy and she doesn't tell him that she wants a relationship, it will never become a relationship. If you give the guy the impression that casual is okay with you, that's all he'll ever want. Be straight with him from the start. If he gets scared and runs away, he wasn't right for you.
When you're in a slump, you do something different, just to try it. I remember one time I was in a slump, and I borrowed one of Henry Aaron's bats and hit two homers. I used my own bats the next night. I just needed a change.
Here is how it is for women. We become our schedules. That starts to feel good. Then it starts to feel necessary. Then it starts to feel like everything.
I was a good fielder in the gully in my college days. But in the outfield, I was not such a good fielder.
You have to have a great fielder at shortstop, and you've got to have a guy that has good range and good hands in center field.
I used to tell your mother she looked like Sophia Lauren." He looks at me, frowning, and then it registers. "Oh God, some guy's using that line on you, isn't he?" "Not just 'some guy'." I tell him. "The guy.
Kimbo Slice the man, you watch the YouTube videos of this guy in backyards, and they start fighting and you think this guy's a thug. You think he's a bad guy, you have this perception of him and then you meet him, it isn't true. It's the exact opposite. He's a really good guy.
I'll tell you how you know when you're on something good: when everybody starts to tear up when they're leaving, when they're wrapping for the season. You know, when you say, "All right, we're done with McGillicuddy. That's a wrap for McGillicuddy!" And everybody applauds, but everybody's sad, because McGillicuddy's going to be gone! You know, it's like family going off to college or war. You have this intimate relationship with these people, and then - bam! - they're gone.
I'll tell you what. I've been in combat. I've seen it, I've been close to it... and if my unit is danger, and I've got a captured guy, and the guy knows where the enemy is, and I'm looking him in the eye, the guy better tell me. That's all I'm gonna tell you. The guy better tell me. If it's life or death, he's going first.
If someone comes to me and says they're not capable of being loved, I want to reach out to them and tell them that everybody's loveable. If a man is forced or wants to become a better man, then I root for him. Everybody needs to be loved.
After years and years of everybody commenting on the way I look and dress and being photographed, one starts to become self-conscious and starts to plan things more. You end up judging yourself more, what looks good and what doesn't.
I think, very often, we're addicted to procedurals, those good guy/bad guy shows, and the 'problem' with procedurals is they all follow the same formula: The bad guy does his thing, the good guy goes after him, and in most cases, the good guy figures out who did it and catches him.
Aladdin is a good soul. He is very selfless and usually does things for other people, but as he falls in love, he loses himself a little bit and starts to become someone that he is not. But he is a person with good intentions and has good people surrounding him who lead him back to where he is supposed to be.
I hope he (Babe Ruth) lives to hit one-hundred homers in a season. I wish him all the luck in the world. He has everybody else, including myself, hopelessly outclassed.
Everybody believed you had to have a big piece of lumber and then muscle the ball over the fence. But by the time I and Hank Aaron - another guy who did it with his wrists - were through, there were a lot of guys ordering light bats and playing handball.
As you do on any cable series, if they introduce you as the villain, then you better start working towards making him a really good guy, or if they introduce you as a really good guy, then you better start working towards being the villain. Your character has to go somewhere, or else they become very uninteresting.
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