A Quote by Dick Van Dyke
I have also heard and read various accounts of why they [Sheldon Leonard and Carl Reiner] liked me. My favorites? I wasn't too good-looking, I walked a little funny, and I was basically kind of average and ordinary. I guess my lack of perfection turned out to be a winning hand. Let that be a lesson for future generations.
Related Quotes
Carl Reiner is perfection.
I was always a big fan of Mel Brooks and Carl Reiner's '2000-Year-Old Man' sketch. I think it's one of the biggest influences on the podcast, definitely. You'd never say Carl Reiner was the funniest dude on there, because he's just teeing it up, but he knows what questions to ask to lead to great improv.
I read the script for Wonder Boys, and I said that was almost perfect, it was so classy, cool and funny. It's a really specific thing. We stuck to it, it turned out good and a lot of people liked it.
I walked out of... was it 'Stardust?' That thing with the witches? I was so looking forward to it, but I just couldn't handle it, man. Ten minutes in, and I was gone. I didn't have to walk out of 'Transformers 2' because I didn't go. I loved the first 'Transformers.' I loved it, but I heard too many of my friends walked out of the second one.
I was thrilled to work opposite Carl Reiner and Robert De Niro. Mr. Reiner was very chatty and delightful, but I learned that if you want Robert De Niro to like you, don't speak at all, and he'll be friendly to you.
First, there are some of my readers who only read Hap and Leonard, not the other stuff, and some who don't read Hap and Leonard, but a large percentage are crossover readers. And yes, I did refuse to go to Vietnam and it looked like prison was in my future, but they sent me to the psychiatrist and he gave me a 1-Y, which is unfit for military service essentially.
You know, in high school I thought Catholicism was funny and sort of ridiculous, but then I also liked it, too. Like, I definitely turned to it in times of trouble.
We get a little further from perfection, each year on the road, I guess that's what they call character, I guess that's just the way it goes, better to be dusty than polished, like some store window mannequin, why don't you touch me where i'm rusty, let me stain your hands
in the last month or so, i have read the great gatsby and a separate peace. i am starting to see a real trend in the kind of books bill gives me to read. and just like the tape of songs, it is amazing to hold each of them in the palm of my hand. they are all my favorites. all of them.
Carl Reiner particularly as a writer, a terrific writer. He's just turning out things.
Brent Weinbach made [Gangster Party Line].I guess I saw it when it first came out. And that is so goddamn funny to me. The guys are real dudes and they're not good, but they're also good enough.
Wait. Let me guess. You’re giving me the cold shoulder, right?” With that, she sighed. “Shouldn’t you be with your friends, staring at yourselves in the mirror?” He laughed. “That’s funny. I’ll have to remember that.” “I’m not being funny. I’m being serious.” “Oh, because we’re so good-looking
I don’t need you sensitive, Skulduggery. I need you aloof and irresponsible and arrogant. That’s why I love you. That’s why I let you hang out with me.” “I’m truly blessed.” She grinned. “You love me, too. Once you admit it, everything will be better.” “They’re about to hook up the Cube to the Accelerator,” he said, and turned and walked off. She followed. “You can’t run from your feelings.” “I can walk from them.
"I guess I've been waiting so long I'm looking for perfection. That makes it tough."
"Waiting for perfect love?"
"No, even I know better than that. I'm looking for selfishness. Like, say I tell you I want to eat strawberry shortcake. And you stop everything you're doing and run out and buy it for me. And you come back out of breath and get down on your knees and hold this strawberry shortcake out to me. And I say I don't want it anymore and throw it out the window. That's what I'm looking for."
It's funny how in the long time of me working in various countries and various situations that there is this kind of idea out in the media that I am a daredevil and that I risk the lives of everyone around me, but nobody ever gets hurt on my shoot. Some crew members sometimes, but the actors are OK.
I wouldn't give you two cents for all your fancy rules if, behind them, they didn't have a little bit of plain, ordinary, everyday kindness and a little looking out for the other fella, too.
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