A Quote by Dick Van Dyke

We had all week to rehearse. An audience would come in at the end of the week and we'd our little show. Most of the ad- libbing happened during the week on the show.
My favorite is doing the television show, as a variety show, every week. If the show wasn't that great one week, we could always come back and apologize, you know?
My radio show is actually the conclusion to my week. Which means there'll be 20% of what's happened to me during those five days, on my show. If I don't do my radio show I actually feel lost! It's like the bookends - the beginning and the end of the week and the whole thing comes together. So for me it is important.
Even at its height, 'The Daily Show' would do one great show a week, one pretty good show a week, and then two 'meh' ones. It was filler.
When you do a TV show, the cumulative intimacy you develop with the audience through your characters is pretty profound. It may be the most profound storytelling there is, because the character gets to live and roll around in the audience's mind week after week.
You see the fans come week-in week-out and show support, so whatever the result, you always have to show love and respect to the fans.
There are very few horror shows, where you have a long running arc. Most horror shows play as a sort of an anthology. Buffy - a terrific show - had the-demon-of-the-week. Twilight Zone - X Files - these things had an anthology approach. Our show is a long running drama with the same creatures every week.
It's very trying on a marriage when you're doing a one hour show, week after week after week. You don't have enough time for people that maybe you should have top priority.
Well, it was very interesting to play a character and stretch it over such a long time - 12 episodes. I had never done a TV show before, so week to week it was unclear what we would be asked to do.
Game-time is the most important thing for me. When you're playing week in, week out you have the confidence to show what you're capable of.
WrestleMania is a week-long series of events, and the logistics of executing that week along with the week leading into it and the week after it are extraordinarily difficult in our own back yard.
I think there's something fun about television where, as an actor, when you read the script each week, it's like how the audience experiences watching the show each week.
The entire season, the show had never been aired for more than three weeks. You can't get an audience that way. They would never promo the show for the next week.
This show [Timeless] is absolutely epic. I simply can't believe the production value for the episodes. Each episode is creating a new world. I just can't think of another television show that trumps the Hindenburg to the 1970s week to week.
A sitcom, you rehearse for four days of the week and then you shoot it all in one night in front of a studio audience. It's like a play every week, you just shoot it over a seven or eight-day period with a single camera. I enjoy this format of show much more. I'm a feature guy. I like making movies. So the four camera thing I didn't love it that much. I found myself slightly out of my element.
I learned that a television show is not a collaboration. You give your 180 percent, but you do not question the show-runners. I remember doing a reading, and my part was kind of small that week, and I commented on it, and the next week, they cut me out of the show. So I learned that you never ask questions. In TV, you always assume you're going to be fired.
As a former presidential campaign manager, I remember the final week of the campaign as being the longest and most important week of the campaign. The week doesn't seem to end.
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