A Quote by Dick Van Dyke
I was the class clown, you know, that kind of thing, and I gathered around me a group of guys who also were silly. I was in all the plays and everything. But I don't know, at that time show businesses looked like the moon, you know, it was so far away. I wanted to be a radio announcer.
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I really wanted people to pay attention to me and like me. And the class clown thing, you know? There's a weird desperation to the class clown when you really investigate it. Why are they trying to be the clown so much? They're filling some kind of hole.
Some guys are just very, very interested in their sport and their predecessors. I know I was a guy like that when I was a young coach. I wanted to know about George Halas, I wanted to know about Jim Lee Howell, guys you don't even know. I wanted to know what they were like. So I read whatever I could get my hands on.
I think I fell in love with her, a little bit. Isn't that dumb? But it was like I knew her. Like she was my oldest, dearest friend. The kind of person you can tell anything to, no matter how bad, and they'll still love you, because they know you. I wanted to go with her. I wanted her to notice me. And then she stopped walking. Under the moon, she stopped. And looked at us. She looked at me. Maybe she was trying to tell me something; I don't know. She probably didn't even know I was there. But I'll always love her. All my life.
You run your plays, you know your plays, you study your plays, you study the other team, you do as much as you can, you go to practice, you get in shape, you do what you need to do, and then by the time you get to the game, you know your plays, but they have to feel like they're in your bones. That has to be an unconscious thing, it cannot be conscious. That is everything to me.
Those five fingers and that palm were like a display case crammed full of everything I wanted to know--and everything I had to know. By taking my hand, she showed me what these things were. That within the real world, a place like this existed. In the space of those ten seconds I became I tiny bird, fluttering in the air, the wind rushing by. From high in the sky I could see a scene far away. It was so far off I couldn't make it out clearly, yet something was there, and I knew that someday I would travel to that place.
You were a terrible baby, do you know that? Bawling all the time, never sleeping. And one night you just wouldn't shut up, screaming like a dying pig. I walked over to your crib, I looked down at you. I wanted to strangle you. And you looked up at me and you stopped screaming. You smiled at me. Don't die so far from the sea.
I pictured a girl who made every moment, everything she touched, and everyone around her feel lighter and sweeter. “I pictured you,” he said. “I just didn’t know what you looked like. “And then, when I did know what you looked like, you looked like the girl who was all those things. You looked like the girl I loved.
There were a lot of things I listened to, but so-called pop music never killed me, you know, the type of stuff that always seems to make it on the radio. The whole radio thing seems so... it's like they've accepted the whole "new wave" thing only because this kind of pop element came into it. In Europe they really love emotion, but here it's like, "let's stay away from it because we might cry or something".
Every time that I've won a championship I've looked at my guys around me and looked at their work ethic and said 'You know what, I'm going to win it this year. I feel that way now.
People didn't know certain things about me, which... I was out of creative writing class in school, Syracuse University; had a B.A. in English and wanted to write the great American novel but I also loved rock and roll. I was in bar bands all through college, playing fraternities and have to know all the songs in the top 10. That kind of thing.
I hang around a core group of people, a small group of people. They've been around me for a long time. They know my personality. They know me in and out, same as my family.
It's interesting, a lot of my friends and family thought that was the moment I kind of showed everyone my humor; the silly side of me that friends and family know, so that could be what people were responding to. I have a big sense of humor, and people who know me know that silly side of me, so moving forward, I think it gives me the freedom and confidence to do more of that.
When you a young kid at that age at that time, and you know that you got talent as far as hip hop, you wanna be on the radio, that's the first thing. So we was more or less infatuated with just havin' a song on the radio, you know? Before our careers even launched it was more or less about lettin' everybody know, 'Staten Island? You got good emcees there.'
I know what I can do as far as big plays and explosiveness, and I know what that does to other guys. It just sparks energy.
And from my place, and from the time that I went through my divorce, I also had my father pass away in the middle of all that. And it kind of made everything else just kind of like the back burner, you know.
'Griot' is a French word which means, you know, really, literally, 'cry.' You know, like the town crier. You know, they come in and say, you know, 'It's nine o'clock; everything is cool.' You know, 'President Bush is a fool.' I mean, stuff like that just to tell you. But for the kind of, the African thing is called djali.
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