A Quote by Dick Van Dyke
Oh, I had an idea for a pilot of my own at the time, and then Carl sent me about eight scripts and simply I threw my idea out the window because the writing was just so good.
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We wrote the early idea for Undone' but it just wasn't working. Then Gwen had to go to England for some family stuff and when she was there, she sent me an email saying that she had an idea for what to do with Undone.' She sent me these demos and she was totally right, there was something there.
I had this idea about terrible things happening to orphans, and I knew it was such a horrible idea that the idea of writing it down and then submitting it professionally was obviously absurd.
The beautiful thing about writing with the person that you love is that when they come up with an idea that is great, it's this dual happiness because that's the partner and that's such a good idea, and I'm proud of you, and then also I'm really excited for the project.
My brain does like the idea of hosting a late-night show. My brain does like the idea of maybe having a show about me. So, I often pitch ideas and work on scripts and do that just because I may not be right about how I feel, so why not just do this, and if it happens and I got my own show, well maybe I would really end up falling in love with it.
Harry [Shearer] and I had an idea to do a movie about rock 'n' roll from the roadies' perspective, from backstage. Then Meat Loaf came out with a movie called Roadie and we thought, "Oh, we can't do that now." So we kind of discarded the idea.
Usually when I finish the draft of a book, I'm sure I'll never write another one. I'm just that tired and sick of myself. But then another idea starts percolating. It usually begins with the narrator's name, then some idea that intrigues me about her life or situation. I try to ignore it as long as I can, because I know when I start writing, I'll be right back into it, every single day. But eventually, I just have to. It's a compulsion!
I started writing because I wanted to write scripts, but I wasn't very good at it. Then I started writing short stories, sort of as treatments for the film scripts, and I found I enjoyed writing short stories far more than I enjoyed writing film scripts. Then the short stories got longer and longer and suddenly, I had novels.
I think every writer's had the experience of having a really good idea, waiting to write it, and then once you write it, you're like, "Oh I kind of got past the sell by date on this." I'm not connected to the initial spark that was the idea. A lot of that's about staying open.
When someone has too much of a thought-out idea, that can be a big obstacle to get anywhere. Because it's like [if] you have a preconceived idea of what's going to happen in the studio in an hour's time, then you're not free anymore and you lock yourself into your own expectations. I don't think that's very creative. It doesn't work well with me.
My understanding of films was just as much as any young girl who watches Bollywood films. I had no idea about the whole process of filmmaking, about dialogue writing, scripts, screenplay etc. I had probably gone to two or three film shoots in my childhood.
The way I was brought up in improv was that any idea you have is not as good as your partner's idea, so if I see someone else initiating at the same time I am, I just defer to them because I assume their idea is going be better. And hopefully, they're doing the same with me.
Writing a novel isn't like building a brick wall. You don't figure out how to do it, and then it gets easier each time because you know what you're doing. With writing a novel, you have to figure it out each time. Each time you start over, you just have the language and the idea and the hope.
I have one very basic rule when it comes to "good ideas". A good idea is not an idea that solves a problem cleanly. A good idea is an idea that solves several things at the same time. The mark of good coding is not that the program does what you want, it's that it also does something that you didn't start out wanting.
Since 'Heroes' started, I've probably had about 15 or 16 film scripts sent to me with Indian characters, and out of those, maybe one was good.
There's a screen direction in the script for the pilot where it says, 'Jim Harper, mid-20s, enters,' and it said something to the effect of: 'He's confident without being cocky. He has no idea that he could be considered attractive, because he saw All The President's Men when he was thirteen and never looked up.' It was just a great little gem of a screen direction, and I felt immediately from just that, that I had a good idea of how to play this guy.
I had no idea what I was going to do when they threw me out of school.
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