A Quote by Dick Van Dyke

I've had a lot of writers, in particular, who said they got into writing because of the 'Van Dyke Show.' They said it looked like fun. — © Dick Van Dyke
I've had a lot of writers, in particular, who said they got into writing because of the 'Van Dyke Show.' They said it looked like fun.
'The Dick Van Dyke Show' was a huge influence on me as a kid. It looked like a really fun job.
I probably remember more about 'The Dick Van Dyke Show' than Dick Van Dyke does.
I think, the 'Van Dyke Show' and 'Mary Poppins' are two of the best periods of my life. I had so much fun, I didn't want it to end.
'The Dick Van Dyke Show' was the most fun I ever had and the most creative period of my life.
We do not wait for inspiration. We work because we've jolly well got to. But when all is said and done, we toil at this particular job because it's turned out to be our particular job, and in a weird sort of way I suppose we may be said to like it.
My approach to newspapers was based on the idea that when you looked at the front page you said: 'Good heavens', when you looked at the middle page you said: 'Holy smoke', and by the time you got to the back pagewell, I'd have to utter a profanity to show how exciting it was.
I was at a bar, and this guy bumped into me, and he did not apologize, and he said, "Move!" I thought that was rude, so I said, "Go to hell!" Then I started to run. He caught up to me. He had a mustache, a goatee, a pair of earrings, sunglasses, a ponytail and he was wearing a hat. He said, "Hey, you got a lot of nerve!" I said, "Hey, you got a lot of... cranium accessories!"
Performing for Dick Van Dyke once was fun.
And then Dick called and said, I'm going to do a special called Dick Van Dyke and the other woman, that would be you, because every time I try to check into a hotel with my wife, they look at me as though I'm cheating on Laura.
Reruns are wonderful because it usually indicates that they had something going for them to begin with and that's why you're still looking at them. And in both my shows, The Dick Van Dyke Show and the last one, they were so well written and so good they hold up.
There’s a need to perfect things in a writers’ room, and that can take a lot of fun out of a show sometimes. It’s a struggle. It depends on your personality. Some people love working with a writing staff. I had a great writing staff on Lucky Louie, but it sometimes felt like Congress or something.
We'll win, of course," he said. "You don't want that," said the demon. "Why not, pray?“ “Listen," said Crowley desperately, "how many musicians do you think your side have got, eh? First grade, I mean." Aziraphale looked taken aback. "Well, I should think-" he began. "Two," said Crowley. "Elgar and Liszt. That's all. We've got the rest. Beethoven, Brahms, all the Bachs, Mozart, the lot. Can you imagine eternity with Elgar?
Paul Schrader, he's a... son of a gun. He's a very feisty, very straightforward guy. He's your auteur director. He sent me to a fat farm down in Palm Springs, I think it was, and got mad because he said, "You're just getting massages and backrubs!" He got the bill, he looked at the itemization, and he said, "You're not doing anything to lose weight! I could've had William Hurt for this part!" And I said, "Well, you're stuck with me, so..." He was funny, though.
I got my first television at Stanford when I was 20, and I used to watch 'The Dick Van Dyke Show'. He played my father on 'Becker,' and he's still one of my heroes. Along with John Cleese, he's my favourite physical comedian.
All of us involved say 'The Dick Van Dyke Show' was the best five years of our lives. We were like otters at play.
Sinclair Lewis was asked one time to give a talk to class of students about writing. When he got there he asked the class, Do you people want to be writers?and they all said yes. Then Lewis said, Why the hell aren't you at home writing?
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