A Quote by Dick Van Dyke

So I think we're kind of an alternate choice for people who have had it with sex and violence. — © Dick Van Dyke
So I think we're kind of an alternate choice for people who have had it with sex and violence.
Americans give you the violence, Europeans give you the sex. I think people have been saying that since the 70s. And I think it's kind of pathetic that Americans are still stuck - on the shock value of violence, when sex is such a natural thing for everybody.
Two things I do well in books are sex and violence, but I don't want gratuitous sex or violence. The sex and violence are only as graphic as need be. And never included unless it furthers the plot or character development
Two things I do well in books are sex and violence, but I don't want gratuitous sex or violence. The sex and violence are only as graphic as need be. And never included unless it furthers the plot or character development.
We tried to make a movie that had sex and violence because we like sex and violence.
I think that the enormous emphasis on violence and sex, and in particular violent sex, may not make rapists of us all, but it predisposes us to accept a kind of world in which these things happen.
I'm not talking so much about sex - after you've seen sex in a picture, what else can happen - but violence is very bad. People think these are things you are allowed to do. I think they should be forbidden.
I am willing to accept that there are women out there who say they have chosen to sell sex. But they are in the minority, and laws are there to protect the majority. In this case, the majority of women in prostitution want to get out, and suffer violence and exploitation. If there are women who have made a free choice, there are more who have had no choice.
My approach to violence is that if it's pertinent, if that's the kind of movie you're making, then it has a purposeI think there's a natural system in your own head about how much violence the scene warrants. It's not an intellectual process, it's an instinctive process. I like to think it's not violence for the sake of violence and in this particular film, it's actually violence for the annihilation of violence.
What shocked me was three different anti-prostitution feminists asking me to justify that I had been a sex worker, to prove it. That either I hadn't done enough sex work by their standards, or I hadn't done the right kind in order to have the right to speak about it. I couldn't understand them. I'm not speaking for you. I'm not speaking "for" anyone. I'm trying to put together this picture of the different forces that are producing a result in the lives of sex workers. You can't contest the fact that tons of people are going to jail and experiencing violence.
I'm really interested in violence. And I think there's an inevitably cinematic property that violence brings to the moviegoing experience. But one still has to be thoughtful and mature about how you depict it and how you think it through. You have to think about the effects that violence has on audiences, and it's deployed so casually that I think it's losing its meaning. And when things like violence and murder and the dehumanization of other people lose their meaning, then we're really kind of in a place where we have to reexamine and take a hard look at ourselves.
Men make the mistake of thinking that because women can't see the sense in violence, they must be passive creatures. It's just not true. In one important way, at least, men are the passive sex. Given a choice, they will always opt for the status quo. They hate change of any kind, and they fight against it constantly. On the other hand, what women want is stability, which when you stop to think about it is a very different animal.
...people think non-violence is really weak and non-militant. These are misconceptions that people have because they don't understand what non-violence means. Non-violence takes more guts, if I can put it bluntly, than violence. Most violent acts are accomplished by getting the opponent off guard, and it doesn't take that much character, I think, if one wants to do it.
If you had a daily printout from the brain of an average twenty-four-year-old male, it would probably go like this: sex, need coffee, sex, traffic, sex, sex, what an asshole, sex, ham sandwich, sex, sex, etc
I get very sad when I think about Vietnam where there seems to be no choice but violence. This violence goes on for centuries perpetuating itself.
The best unpaid sex, where you and the woman are really into each other, and there's a lot of really intense passion, and things are really hot between you...I've never had that kind of sex when I was paying for it. The best unpaid sex is going to be, I think, more passionate and more hot than the best paid sex.
In your thirties, you're much more comfortable with sex. First of all, sex is something you've done more. You know you can have sex just to have sex; you can have sex with friends; you can have sex with people you love; you can have sex with people you don't like, but the sex is good. And you can joke about sex much more.
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