A Quote by Dick Van Patten

I was in 27 Broadway plays, and three of them got the Pulitzer Prize. — © Dick Van Patten
I was in 27 Broadway plays, and three of them got the Pulitzer Prize.
Winning the Pulitzer is not that big a deal. I have seen hundreds of plays that have won the prize and you couldn't sit half way through it. The Pulitzer is a common prize that means very little.
One thing about winning a Pulitzer, it means you know what the first three words of your obituary will be: Pulitzer Prize-winner. After winning the Pulitzer, I couldn't help but notice how people suddenly looked at me with a newfound respect, and would say, "He's an expert." On the negative side, I developed a terrible case of writer's block for awhile, because I felt like readers would expect every one of my columns to be prize worthy.
I would like to win the Pulitzer Prize. I would like to win the Nobel Prize. I would like to win a Tony award for the Broadway musical I'm now working on. Aside from these, my aspirations are modest ones.
I was in 27 Broadway plays in a row as a kid, and in between, I learned how to play the horses from the stagehands.
A Pulitzer Prize is awaiting the journalist who can find an American who dies of hunger, and probably the Nobel Prize for literature as well.
The Pulitzer Prize was established when Joseph Pulitzer died in 1911, leaving a bequest to create the eponymous award. An immigrant from Hungary, Pulitzer struck it rich by combining the 'St. Louis Post' and the 'St. Louis Dispatch' to make the - wait for it - 'St. Louis Post-Dispatch.'
I was with the 101st Airborne Division in Iraq, really in the middle of nowhere, about 80 miles south of Baghdad. And it was almost midnight, and I got a computer message from the home office of the Washington Post asking me to call them. I did call them and was told that I'd won the Pulitzer Prize.
Until I got 'Full Metal Jacket,' I was doing Off-Off-Broadway plays with three people in the audience.
The director, Moisés Kaufman, just received the national medal of the arts from President [Barack] Obama . He wrote and directed The Laramie Project and he has directed several Pulitzer prize-winning plays. He's a pretty profound director in the theater.
Some Pulitzer winners - novelists - have confided to me that getting the prize screwed them up. It messed with their heads. That hasn't been my experience.
Winning the Pulitzer is a really mellow, fabulous thing. You don't sit and wait for them to open an envelope. You already know you won, and you have a nice lunch. Oscars are more stressful. I had to sit for three hours and wait for my category. I had to fly to Los Angeles. For the Pulitzer I just had to go up to Columbia. But, while the president of Columbia gave me the Pulitzer, Audrey Hepburn and Gregory Peck gave me the Oscar, so that was better.
I'm fully aware that not every cartoon is Pulitzer material. That said, I'm proud of my Pulitzer portfolio, the 20 that got judged.
Tony Awards boost Broadway attendance and sell the shows on the road. They're the sugar to swat the fly. If you needed more explanation for the yearly ballyhoo, in the metropolitan areas where a Broadway show plays, the local economy is boosted by three and a half times the gross ticket sales. So when we're talking Tonys, we're talking moolah.
By the time I was in fifth grade, I was dreaming of the Pulitzer Prize.
'To Kill a Mockingbird' appeared to highly favorable reviews and quickly climbed to the top of bestseller lists, where it remained for more than eighty weeks. In 1961, the novel was awarded the Pulitzer Prize. A film adaptation was released in 1962, starring Gregory Peck, and received three Academy Awards.
The commercial theatre may still be considered one of New York's primary tourist attractions, but . . . there is no longer an audience for serious Broadway plays. . . . Perhaps we should acknowledge that, having lost its traditional audience, Broadway can never again be a home for new plays.
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