A Quote by Dick Wolf
Their argument is that most shows are losers, which is true, but it's also disingenuous to say, 'We are not going to take the risk unless it is totally covered by the few successful shows that are out there.'
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I've had some shows where I really plan out what I'm going to say. Then I've had other shows where I'm like, 'Take a sip of the Ole Smoky Moonshine and just let it be natural and cross your fingers that you say the right things.'
When I went to Fashion Week, I was very disappointed by how few women of color were in those shows. I do speak to the younger girls, and I hear them when they say they're not getting the big contracts or into the big shows. So, to sum it up, it seems that whenever we take a couple of steps forward, we take a few more backwards.
I've had the joy of working on critically acclaimed shows, but unfortunately, those shows aren't always in the Golden Globe or Emmy categories, which bums me out because they are really good, quality shows.
There's a lot of successful procedural shows that are out there. A lot of them are very successful. I just know there's an audience out there that wants character also.
I was offered a few shows, but the money didn't work out, but I'm not very keen on judging such shows. I'm happy in my space as a composer.
The anxiety is, "Are they going to come?" and when you get there and it's full you say, "I'm good. I can stop freaking out." But when it's four days out and they're scrambling to find more radio shows and Good Morning Phoenix and all these weird shows, then that gets very tiring.
Shows have asked a lot of actors to take cuts. Shows are going off the air. So okay, life goes on.
Usually, comedy shows only influence other comedy shows. 'M*A*S*H' is one of the few comedies that influenced dramatic shows as well.
I'll just say that there are times when TV shows, like 'The Honeymooners' or 'I Love Lucy' or something, where they're totally in their stride, and this thing happens, where you can tell they got everything they wanted. And it starts to look a little relaxed. No criticism to the shows whatsoever; these people are geniuses.
TV shows and stuff give people in the show business very bad names. I'm not going to name any shows, but a lot of shows.
Speaking from personal experience, I watch zero shows when they air. The only shows I watch live are awards shows or sports. Shows like 'True Detective' and 'Game Of Thrones,' I watch every episode, but I don't watch them as they air, and I think that's becoming the case for people more.
I found myself trying to work within the Los Angeles system. I had an agent and a manager, which I still do, and going to meetings with networks about game shows and reality shows and projects that weren't mine. It was fun, but it wasn't what I'd set out to do.
I made multiple leaps where there were no guarantees that I was going to be successful. By the way, I was not always successful. But I think if you go into something new with an open mind, and you let people around you know what you don't know, for the most part they're going to link arms with you. So you can't plan a career so closely that you never make a move unless you know that it's going to work. There's always going to be risk involved in change.
It's always surprised me that the most successful and really amazing shows are also the happiest environments and very welcoming.
It's always surprised me that the most successful and really amazing shows are also the happiest environments, and very welcoming.
Doing TV shows helps me a lot in my screenplay writing and filmmaking, especially since my TV shows are in different formats: comedy sketches, talk shows, debate programs, art variety shows, quiz shows. These enable me to meet interesting people with interesting stories and to learn about interesting subjects, all of which I can reflect into film.
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